From Her To Eternity
Thor - Love And Thunder
Australia/USA 2022
Directed by Taika Waititi
UK Cinema Release Print.
Warning: Electrifying spoilers within.
Right then. This is going to be a fairly short review, I think. Not because I didn’t like Thor - Love And Thunder... on the contrary, I loved it... but because it’s really hard, sometimes, to come up with things to say when the movie you’ve just watched is damn near perfect in every way. Now I know I’m in the minority here, judging by talk on the internet... and I know a lot of people didn’t like Eternals either (another truly great Marvel movie, which I reviewed here). I do find a lot of Marvel films a bit hit and miss, to be honest but, seriously, I think this new Thor may be the best movie from Phase Four of the Marvel Cinematic Universe (MCU) as it stands so far. When Marvel get things right... they really get things right.
Okay, so this one is something you can watch without having seen any of the recent Marvel movies after Avengers Endgame. After a brilliant prologue, where we see the origins of the film’s main villain, Gorr The God Butcherer, played by Christian Bale, this one starts off properly as Endgame left things. We have Thor tagging along with the Guardians Of The Galaxy and a wonderful and very strong set up scene which sees Thor inheriting two, giant, screaming space goats. I kept thinking to myself... this is such a strong opening, it’s got to go down hill from here... but no. The movie just keeps going from strength to strength as we have two initial separate story strands starting off... one being Thor (Chris Hemsworth) and Kevin (director Taika Waititi back as the comic relief rock creature) leaving the Guardians with the quest of finding the God killer, a trail that leads them back to new Asgard.
Meanwhile, Thor’s ex-girlfriend Jane Foster (played once again by Natalie Portman) is dying of stage four cancer. While trying to fight this, she is called by the shattered remains of Thor’s old hammer Mjonir, in New Asgard, which reassembles itself and turns her into a female version of Thor. But when she doesn’t have the hammer and she reverts back to her Jane Foster alter ego, she still finds herself dying of cancer. So, everybody suddenly finds themselves back at New Asgard on Earth, ruled over by Valkyrie (once again played by Tessa Thompson) when Gorr attacks but fails to kill them... he does, however, kidnap all the children as bait for Thor and his gang, so he can obtain Thor’s second hammer, Stormbreaker, which will allow him to gain access to the character of Eternity. Now, Eternity looks pretty much like he did in the comics but, Marvel are mixing thing up again since he was not originally a Thor character but a character from the original Doctor Strange strip... Eternity making his debut there in Strange Tales Issue 138.
And there you have it. There’s lots of good stuff happening in this and it’s mostly, pretty much, played as high comedy again, with even Matt Damon and Sam Neill returning as the Asgardian actors portraying Loki and Odin. That being said, there’s a warm beating heart at the film’s centre in the rekindled relationship building between Thor and Jane but, even a moment of high tragedy near the end of the movie, is still seen as pretty much upbeat the way it’s played here by the director. Although it’s simultaneously quite brutal and pulls the rug from under audience members like myself, who can see the solution to the big problem at the heart of the movie being put together piece by piece, only to have it taken away at the eleventh hour (but stay for the second of the post credits scenes to give a little more closure to the fate of one of the characters, for sure).
Another high comedy moment is when Thor and co go to Omnipotence City (where all the Gods hang out and plan for their big orgy)... in order to raise an army. I’m not exactly a fan of Russel Crowe but he does a pretty good, comical version of Zeus for this film, it has to be said.
And, yeah, that’s pretty much all I’ve got to say on this one, for the reasons explained in my opening paragraph (Katrin, if you’re reading this one backwards again, please jump to the beginning for closure on this sentence). Thor - Love And Thunder, like the previous Thor movie Ragnarok, wallows in its own levity and tears down the comic book gatekeepers of this world while still respecting the material on which it is based and managing to be completely entertaining in the process. It’s not hyperbole when I say that this is probably the best stand alone Thor movie yet... and I love the bit at the end which says, Thor will return... like he’s James Bond or Fu Manchu. Nice movie, not deserving of the critical drubbing it’s gotten in any way shape or form (indeed, I saw it at a screening with a fairly small audience but there was a round of applause when the credits started to role). Don't miss this one.
Sunday, 31 July 2022
Thor - Love And Thunder
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