Joker - Folie à Deux

Great Fleckspectations

Joker - Folie à Deux
Directed by Todd Phillips
Canada USA 2024
DC/Warner Brothers
UK Cinema Release Print.

Well this was an unexpected, surprisingly brilliant movie. I admit I was going in with pretty low expectations but Joker - Folie à Deux, the sequel to the same director’s Joker (reviewed here) is a pretty marvellous film and far superior to the flawed and derivative first movie. Now, that being said, I had one big problem with this movie and it’s the exact same one as I had with the prior film. But also having said that, it really is the only problem I have with this one because, it’s one of those rare, damn near perfect concoctions that Hollywood manages to pitch up every now and again.

So that particular problem... and it is admittedly a huge one... is this: What the heck does this character and movie have to do with the DC character The Joker? Answer, like the first one, almost absolutely nothing. The Joker personae is very different, shares no similarity to the character’s background in the comics and doesn’t even have the tenuous connection to Bruce Wayne that the first film has (indeed, the Wayne family don’t even appear in this one except as a blink and you’ll miss it presence on a billboard). And frankly, name checking Harley Quinn and Harvey Dent as main characters and then having a set prop pushing the idea of Arkham Asylum... that does not a Joker movie make. So to say this is in the same universe as the characters which it exploits to get people into cinemas is a little cynical and misleading, at best, I would say. To their credit, DC are labelling this as an Elseworlds movie (in line with their very bold comic book strand of the same name) but they could have easily have called these two movies something else entirely and not had the links to the comic book universe clumsily used as a marketing proposition at all.

All that being said... I don’t really care because this film is an absolutely magical time at the cinema and is easily, at this point in the year, one of 2024s best movies. Not the best, certainly but, it’s on that list.

This one, once again, top lines Joaquin Phoenix as Arthur Fleck (aka The Joker) and he’s joined in this one by Lady Gaga as Lee Quinzel (aka Harley Quinn) who also, it has to be said, has very tenuous links to her comic book alter ego. They are also joined by such luminaries as Brendan Gleeson, Catherine Keener and, briefly, Steve Coogan too. And if you’re expecting more of the same of the first film I’m delighted to be able to say, you may be disappointed. I’m not the biggest fan of Phoenix but I’ve warmed to him in roles like this the last few years and his tender portrait of Arthur once again makes this a memorable movie. And, honestly, Lady Gaga is right there matching him with an equally solid performance all the way. Their respective characters’ love holds the movie together and, alas, I can’t comment on that too much for fear of spoilers but, it’s an interesting dynamic, for sure.

And, as I said, it’s not like the first movie... especially in terms of story. This just covers Arthur’s lead in to and eventual appearance at his trial for five of the six murders he committed in the last movie. But this is also an example of what has come to be known, over the last decade or so, as a Jukebox Musical. There are loads of songs, some of which even I could sing along too (mostly from the 1960s) and some of these transpire in what are the naturalistic settings of the movie and, others of them take place inside Arthur Fleck’s head, where the colours are wild and the glamour comes to the fore. And it’s good stuff. I loved Lady Gaga’s rendition of If They Could See Me Now from Sweet Charity (the Gwen Verdon stage show flagged, as opposed to the Shirley MacLaine movie version of Fosse’s remake of Fellini’s Nights Of Cabiria, both of which I talk about here) and, well, all I will say is, even if it’s just a clip from The Bandwagon, seeing Oscar Levant on the big screen again is awesome. That’s certainly entertainment, if you catch my drift.

Hildur Guðnadóttir’s score once again keeps the visual images and the musical interludes effectively threaded together and the cinematography is all levels of gorgeous, especially when utilising the MGMified colours of the 1950s and 60s musical palette. Plus, the brand new Joker themed Looney Toons short which starts off the movie is a wonderful piece of work too, it has to be said. So, yeah, that’s me pretty much done on Joker - Folie à Deux other than to say, I was genuinely impressed and riveted by the whole film as it slowly played out and I can’t wait to grab this one on Blu Ray when it gets a release. Definitely see this one on a big screen if you can.

Machete Kills

Machete Junction Kills

Machete Kills
2013 USA/Russia
Directed by Robert Rodriguez
Playing at UK cinemas now.

Warning: Yeah, there’s gonna be some fairly big spoilers here.

The original Machete movie was a spin-off movie of a fake trailer used in Rodriguez and Tarantino’s Grindhouse project (released separately as Planet Terror and Deathproof over here in the UK). Like other projects made from the fake trailers in Grindhouse, such as Hobo With A Shotgun, Machete was a modern movie masquerading as a 1970s exploitation picture but made with a dash of self-conscious nostalgia for the sub-genre.

Both Machete Kills and Machete Kills Again were put up at the end of the original Machete as two films in which the title character ... um... Machete (played by Danny Trejo), would return. And now he has, in the promised Machete Kills. This was a film I’d really been looking forward to.

The film opens with a new fake trailer, that for the third movie in the Machete trilogy which has had something of a title revision since the last movie. Now the next Machete movie after this one, if the series gets that far, is Machete Kills Again... In Space. And indeed, the trailer looks wildly silly, it has to be said. Laser beams, Buck Rogers robots, light-sabres, light-machetes and a host of other things referencing the boom to plunge a character into the sci-fi milieu left in the wake of the original Star Wars movie’s cinematic success. Although this trailer is quickly referenced again at the end of Machete Kills (amongst other pre and post-credits chunks of “Machete movie moments”), I think that this should maybe have been left completely to the end of the movie because, this opening trailer tells us some important and spoilery things... one very quickly and then a bunch of stuff when you get into the last third of the movie.

The thing it ruins straight from the start is the fact that it reminds audiences the original Machete started off with a scene where he lost his partner. As you know from the previous movie, Machete’s new partner was also his new girlfriend, as played by Jessica Alba, a role this actress reprises here. However, since she isn’t in the trailer for Machete Kills Again... In Space, it doesn’t take much to figure out her character probably won’t make it until the end of this movie. Remembering that last film’s opening sequence on top of that, it’s not hard to realise she probably won’t even make it through the pre-credits sequence of this one before coming to a nasty end and... alas.... this is indeed what happens.

The other stuff you’ll realise, as you go through the movie, is that things are all pointing towards this one dovetailing straight into the next one. When Mel Gibson’s villanous Voz is shown to have a Star Wars fetish and intends to colonise the moon with his hand picked people and super-clones, much in the same way as the “off course” Bond film Moonraker did in the late seventies, you start to figure out where this is all going and, when he shows the silver mask worn in the Machete Kills Again... In Space trailer, you realise that this whole film is leading up to some kind of cliffhanger ending which takes Machete and the main villain careening into more mayhem in space... and that is also the correct conclusion.

For while Machete is clearly playing a more Bondian role in this one (he has his gadgets and knows how to use them... and is clearly a parallel here for “the many lives of John Shaft”... specifically the Shaft of Shaft In Africa) and the movie is quite blatant in its Moonraker references towards the end (with even some of the underscore sounding particularly late 70s Barryish at certain points)... it’s obvious that Machete Kills is Rodriguez saying to his Grindhouse audience... “Okay, so this is Machete’s version of The Empire Strikes Back.” And that is quite literal too... some parts of the sets are modelled on corridors and textures from Cloud City, Gibson has his own landspeeder and, after one of the regular Machete characters is blinded, Voz freezes her, encases her in carbonite and absconds with her in his spaceship.

Okay... so, this is all good and it certainly demonstrates the way films were getting high-jacked mid-production and turned into hastily changed science-fiction vehicles in the late 1970s. However, one of the things it has done, perhaps, is dilute down the already parodic Machete character into something else. It’s certainly a valid thing to do and it was very entertaining, but it was a bit more epic in scope than I wanted and a bit less punchy, I felt, than the first movie in the series.

Don’t get me wrong, it was fast paced as hell and the actors were all firmly committed to their tongue-in-cheek seventies roles, but I just didn’t have quite as much fun with it. That being said, however, there’s still a lot of laughs to go around and it brought a smile to this face on more than one occasion. It even had a follow up to the gory intestine joke of the previous film, which wasn’t quite as funny as the first but had a lot of people laughing. It’s very much a rip roaring time at the cinema and, what it lacks in the rawness of the first movie, it certainly makes up for in the sheer stupidity of its ideas... which includes flick knife smart phones, gatling gun bras, a miniature “strap-on” bazooka which shoots when you twerk, a helicopter blade ride with a difference and a 3D sex scene that will definitely leave you wanting more... especially as the print isn’t even in 3D, if you catch my drift.

Machete Kills is not quite the grimly humoured gore fest of the previous movie (although it certainly has its moments) but this shouldn’t stop the same audiences who liked the first movie from getting into this one... and with actors and actresses like Danny Trejo, Mel Gibson, Lady Gaga, Michelle Rodrigues, Amber Heard, Cuba Gooding Jr, Antonio Banderas, Charlie Sheen and even gory make-up legend Tom Savini, reprising the character he played in the first movie (but with a twist) going along for the ride... you’ll probably find something you’ll enjoy if you liked the first one. Definitely glad I saw this one and certainly looking forward to Machete Kills Again... In Space.