Showing posts with label Robert Feust. Show all posts
Showing posts with label Robert Feust. Show all posts

Thursday, 11 November 2010

High Phibes Diet

Dr. Phibes Rises Again 1972 UK/US
Directed by Robert Fuest
MGM Midnight Movies DVD Region 1

Abominable spoilers rise again.

Well, if you read my recent review of the first of these movies you’ll know the primary reason for me shelling out the achingly hard earned cash to purchase these was because the lovely Caroline Munro appears in them. You’ll also know of my crushing disappointment on discovery that her appearance in the films is uncredited as she plays the brief footage of The Abominable Dr. Phibes dead wife.

Caroline continues that role in the second of the Phibes movies and, to be fair, there’s a fair bit more footage of her in the second movie as she is pushed from pillar to post (or in this case, perhaps pillar to pyramid may be a more appropriate expression) as Phibes rises from his sleep/death which he commenced at the end of the last movie. Apparently this was the plan all along as he waited for the moon to come into some kind of alignment so he can cart his beloved Victoria (Caroline) away to Egypt and take her on a journey on the river of life once he has got to the critical time when he can unlock the gates and let some chambers flood and the course of the river resume (I think I’ve got that right... it’s all kinda vague and illogical to be honest... not that this matters of course). And of course, in order to do this, he also has to stand in the way of an interested party named Beiderbeck who has been living hundreds of years by extending his lifespan unnaturally but who wants to take that River of Life journey himself... so Phibes pretty much kills all of the Beiderbeck friends and colleagues one by one, naturally... much to the consternation of the English policeman and his boss, making a return from the last movie.

And it’s not just these two making a return here. Various character actors from the last movie (some killed in the last movie in fact) are back as different characters in this one (people like Terry Thomas) as is his mute assistant, the always good looking Vulnavia... although, to be fair, in this one she’s played by a different actress. There’s absolutely no explanation as to how she’s back after she was accidentally killed by a hideous acid Dr. Phibes death-trap which backfired in the last film... but she does turn up from some kind of heavenly lit tunnel and campily returns there at the end of the movie when her job is done. Bizarre!

Also on hand are a host of other character actors making quickie appearances, such as Beryl Reid and Peter Cushing. In addition there is also a young and, then relatively unknown actor, by the name of John Thaw who gets unconvincingly pecked to death by Dr. Phibes raven. The deaths in this movie aren’t exactly as sparklingly innovative as those in the first movie but the surprise tease of the first death is quite shiny and unexpected. A couple of snakes are left in the Billiard Room and the victim crushes them before they can do any harm. He realises they are just mechanical snakes and so ignores the third which turns out to be real and bites him. He cuts his wound open and sucks the poison out and gets on the phone to alert the police... however the phone has been rigged with a special receiver which sends a sharp spike through the man’s head... in one ear and out the other. Almost but not quite as haunting as being impaled by a catapulted statue of a unicorn which was one of the deaths in the first movie.

It’s not really much surprise that Dr. Phibes has an almost carbon copy of his London catacombs already pre-built in the egyptian tomb in question but it was unexpected to see the clockwork jazz band from the first movie back with him. All the elements are in place for a fun movie and although it’s in some ways a tribute to the old Universal Mummy series of movies from the 30s and 40s, it’s still not quite as entertaining as the first movie. All the stylistic trappings of the director are back in place but I suspect he’s better off with more episodic and less story driven fair... this movie does tend to pause more than the first to give more explanation as to what’s going on. I still think his absolute masterpiece was his third film, The Final Programme... but not that many people would agree with me on that one... especially not the writer of the original source novel on which it was based.

Still, Dr. Phibes Rises Again is certainly not a terrible movie and a fun enough time than a lot of other movies... even if it doesn’t have so much of the aforementioned Miss Munro in it! I’d have to say if you liked the first movie then you certainly should take a look at the second one. I’m surprised they haven’t tried to remake these for a modern cinema-going audience yet!

Thursday, 21 October 2010

Good Phibes Rations

The Abominable Dr. Phibes 1971 UK/US
Directed by Robert Fuest
MGM Midnight Movies DVD Region 1

Abominable spoilers included.

There were three reasons why I finally broke down and bought myself the Midnight Movies double bill DVD of the Dr. Phibes movies...

1. I’m how old? 42 and still never seen those damned, well loved Phibes movies! Get a life... or more pertinently... get a DVD copy and watch it!

2. The Dr. Phibes movies are directed by a person who made one of my all-time favourite sci-fi movies, The Final Programme. I really ought to watch some more of this guys work.

3. And then, of course, there was the clincher. This was the one really big reason that made me want to see these two movies... Caroline Munro is in them.

And therein lies my only real problem with the first Dr. Phibes (and is probably true for the second movie too) on my initial viewing. A day or so before I watched it, one of the people I follow on Twitter, BlackHoleDVDs, pointed out to me that the lovely lady in question is not really in them as such... and this is quite true. She actually plays the titular character’s already dead wife and is therefore only seen in a few still photos and briefly at the end of the movie, looking lovely as ever, lying in her coffin. And adding insult to injury... she doesn’t even have a screen credit in the film.

So okay, that major disappointment aside... how did I like the movie?

Well it was great. All the spectacular and off-beat quirks which made The Final Programme the film it is are in evidence to some extent in The Abominable Dr. Phibes. Vincent Price plays a Phantom of the Opera-like serial killer who is killing off the doctors who were unable to save his wife’s life after a fatal accident. Phibes himself is hideously burned but talks through a microphone pressed to his throat, sounding extraordinarily good and Price-like for a person of his misfortunes. The mask and accoutrements which he wears over his grotesquely burned features makes him look exactly like, well... Vincent Price.

He rarely says much and just goes around with his beautiful and silent female assistant, Vulnavia, to commit inventive and sometimes bizarre executions of the aforementioned doctors... when he’s not playing the organ in a clearly unfeasible manner or conducting his brilliant clockwork band on giant and unusual sets which seem to be something of a stock-in-trade for this particular director.

Some of the deaths are wonderful... hands up who else in the history of cinema has despatched his victim by spearing him with a catapulted unicorn? And the giant frog’s head fancy dress mask which keeps tightening as it slowly crushes the wearer’s head was, in the context of when this film was first released, a bit of a novelty death too. Other deaths are more questionable than elaborate. Why, for instance, does Terry Thomas just sit there timidly while Dr. Phibes slowly drains his blood. Did I miss something? Were drugs involved.

And talking of Terry Thomas, the cast is full of little cameos by various well known English character actors and this also includes a brief appearance by writer and one time Doctor Who companion Ian Marter. And in a little bit more than a cameo appearance is actor Joseph Cotton... having a lot more to do in this movie than in the last film I saw him in (Island of the Fishmen)... thankfully. He really is on top form in this one and it’s really nice to see him making the effort.

There is no real story development in this movie. The action keeps flip flopping between Phibes going for a kill and the two policemen who are trying to track him down with Joseph Cotton’s help, Cotton being the last of the doctors that Phibes has set his sights on. Everything is kept very simple and I get the feeling that this is how the director liked it. Frankly the exquisite frame compositions, Dutch angles and suggestively twisted imagery is enough for the eye to concentrate on in the first viewing without adding the extra encumbrance of a slowly developing plot line you really have to concentrate on.

Everything proceeds to its inevitable final scenes where the police rush in and assist Joseph Cotton who has been forced to operate on his son to find a key to remove him from an acid trap (Hmmm... crushing face masks, keys hidden in live people... I only ever saw the first Saw movie but... homage much?) which ends up with Vulvania on the receiving end of the acid instead while Dr. Phibes lies down in a double coffin with his beloved dead wife (did I mention she’s played by the glorious Caroline Munro) and embalms himself as his final trap plays out and he “brings the darkness”... which we don’t get to see because, well, you know, it’s all dark... roll credits.

Despite the lack of “the first lady of fantasy” for the majority of the film, I still really enjoyed Phibes and look forward to seeing the second part soonest... I understand Caroline Munro might be in it.