Showing posts with label robot. Show all posts
Showing posts with label robot. Show all posts
Tuesday, 30 July 2019
Doctor Who - Robot
First Of The Fourth
Doctor Who - Robot
Airdate: 28th December 1974 - 18 January 1975
BBC 1 - Region 0 Blu Ray Four Episodes
I would have been two years old when I first started watching Doctor Who. I know this because I remember being laid on a table, for whatever reason... and watching television as the Autons crashed through the shop windows in Jon Pertwee’s debut story Spearhead From Space. So when, in 1974, Pertwee had left the show in a situation which was mostly of his own making (and which I believe he regretted), Tom Baker wrote the BBC a letter and was soon employed, somehow, as the new incarnation of The Doctor. Now I had no idea, at the age of 6, that the character could regenerate and I had to have it explained to me when, at the end of the previous series, Pertwee dropped down effectively dead and regenerated into the new guy. All I knew was that I’d been watching Pertwee’s Doctor and been frightened by such creatures as The Sea Devils and Giant Maggots for, what was then, most of my life. Not to mention reading magazines about the character and doing jigsaw puzzles. So it seemed a bit strange but, I kinda warmed to Tom Baker from very early on. Even had the action figure and accompanying TARDIS (although, unfortunately, the budget didn’t stretch to buying any of the monsters for him to battle... I had to make do with using my Dalek shaped bubble bath). My dad hated him until, of course, he came to love him in the role but... he’s always like that with every new Doctor. He’s going through exactly the same thing with Jodie Whitaker now but, trust me, he’ll really miss her when she’s gone.
Baker’s debut story, Robot, is actually quite good and although he maybe seems a little arrogant at first (as perhaps every incarnation of The Doctor is to some degree) he is also confident and self assured and, I think it comes across very well that the little group of regulars working with him... Elisabeth Sladen as the legendary Sarah Jane Smith (in her second season in the role), newcomer Ian Marter as Dr. Harry Sullivan and, of course, Nicholas Courtney continuing as UNIT Brigadier Alistair Lethbridge-Stewart... all loved doing the show and it does inject the series with a certain joy which, dare I say it, was somehow a little bit lacking on Pertwee’s last series (after Roger Delgado who had played arch nemesis The Master, had died in grim circumstances while filming in Turkey when his car went off a ravine, leaving all his colleagues heartbroken).
Baker is brilliant and, it has to be said, channeling Harpo Marx just a little bit as, being the youngest actor to play The Doctor at the time, he brings some much needed humour back to the role. Pertwee was , of course, very humourous but he was somewhat drier by the later episodes and Baker’s Doctor is much more harkening back to the days of Patrick Troughton, it seems to me.
The story here is not bad either, if unoriginal. It’s the tale of a political group of scientists who want to take over the world and, by using a big robot, they steal plans to build a disintegrator gun and eventually take Sarah Jane hostage... the only one who’s been really kind to the robot previously... while they almost succeed in blowing up the world with nukes. And, although, as I said, it’s not exactly original, it does work in a nice tight manner with all the different plot elements and characters all doing things which enlighten certain story elements to the audience while advancing the plot in a way which... I dunno, just doesn’t seem as well done these days.
Of course, you’ve also got some really rubbish stuff too. The Robot itself looks pretty good for a ‘man in suit’ creation but when it finally grows to giant size (the Target novelisation of this one was called Doctor Who and the Giant Robot) the amount of bad, unmatted video screen backgrounds in the thing are really an eyesore. Then there’s the hilarious moment where The Brigadier says he’s got something that he thinks will stop it and the BBC attempt a ‘forced perspective’ shot as they wheel in what I’m pretty sure is an old Action Man tank, into the foreground of the shot. And don’t get me started on the ridiculous, plush puppet which we’re supposed to believe is Elisabeth Sladen, with it’s overly comical dangly legs wibbly wobblying all over the place when the robot supposedly picks the actress up in its giant hand. This looks pretty bad but Doctor Who has always had this home grown, ‘make do and mend’ approach to the special effects on the show and it’s one of the things that makes it so charming (even today, it’s not that state of the art, as regular readers will know I’ve pointed out on more than one occasion over the last decade).
Also, another good ‘I did not see that coming and certainly didn’t remember it from seeing it in 1974/5’ moment is the revelation that one of the ‘good guy’ characters is in league with the villains of the piece. It took me by surprise which, these days, is honestly hard to do. So in that way, at least, the writing is better than it is these days and, since this is Tom Baker’s version of The Doctor, the almost surreal, almost slapstick writing is in abundance and there’s some nice comic interaction going on with all four regular characters (and even with John Levene’s ongoing portrayal of Sergeant Benton of UNIT, too, who does a fine job here).
There is an attempt to inject a little King Kong style sympathy towards the robot at the end, when The Doctor finishes its ‘living metal’ body off with a metal eating virus and I’m not entirely sure this is successful but they do really go for it here and lead up to it throughout the series from the second episode onwards. The music is still very much what you’d expect from the Pertwee era too... which is not a bad thing, I guess.
All in all, Robot is not a bad attempt as the debut of a new and, after not very long, much loved incarnation of The Doctor. I think it would be fair to say that David Tennant is the only Doctor Who actor who has ever come close to enjoying Tom Baker’s popularity in the role and, to this day, Baker is the person most people will think of when they hear the words... Doctor Who. The already, blink and you’ll miss it, out of print Blu Ray set is loaded with extras too and the transfer is actually pretty good for a Blu Ray of a show which never really looked all that great to begin with. Really looking forward to watching the other stories in the season soon. If memory serves, the TARDIS is somewhat jettisoned for a bit and the remaining stories have a kind of thematic link to them after the next story... The Ark In Space. And also, a very budget conscious reason for that link in terms of two of the stories, if memory serves. I’ll get to it all soon. In the meantime... Doctor Who - Series 12 Story 1, Robot, is a good place to jump on if you’ve never seen any before.
For many more Doctor Who reviews, classic and modern, go to the index link top right and then scroll down to the TV section.
Sunday, 12 August 2012
The Ship Of Monsters (La Nave De Los Monstruos)
Monster Mash
The Ship Of Monsters
(La Nave De Los Monstruos)
Mexico 1960
Directed by Rogelio A. González
The Camden Collection Region 0
Warning: There are spoilers in here but, seriously,
are you actually going to watch this one anyway?
I finally got around to watching this rarely seen (at least in this country) Mexican sci-fi horror B-movie from 1960 the other day in a subtitled version and all I can say is that two words will always come to mind when I think of this movie in the future. Fantastic and terrible.
Depending how you use these two words, will determine whether you are interested in ever seeing this movie yourself, if you haven’t already done so. I would have to say that my personal arrangement of these words is not, as some might favour, to report that the film is “terribly fantastic”. Instead I have to confess, and I’m sure some of you would prefer this anyway, that the film is indeed... fantastically terrible.
So Mexican, black and white, released and probably made in 1960... to me this means it’s pretty much a 1950s movie in concept and, indeed, you couldn’t find that many better 50s B-movies which inscribe all the right check marks, if you tried, than this one does. Starting off with a prologue about “the atom” and man’s prowess (or lack of) at harnessing it (yes, 50s B-movie paranoia already in the first minute of the movie), the film then takes us straight to the matriarchy of the planet Venus. Matriarchy, in fact, because all the Venusian males on the planet have died from their own “atomic meddling”... how or why this has left a planet full of only women is not made clear. Two young ladies, Gamma and Beta are given the mission of roaming the galaxy and kidnapping the finest male specimens they can get from different planets to kickstart the Venusians back into shape with their specially devised breeding programme. You can see from the pictures of the aliens at the top of this post that the two Venusian beauties may not really be thinking quite straight... as these are the best they can come up with after the credits sequence which suddenly jumps us, after a few minutes, to the end stages of their mission.
However... something is wrong with their 1950s cool, rockety shaped spacecraft (I’m sure I’ve seen the interior set of this in at least one of the Santo movies) and they have to land on this strange planet called Earth, so their newly acquired, noisy but extremely intelligent robot can make repairs. The two ladies step out onto the earth’s surface and then conclude that the air and atmosphere are enough like their own that it can sustain life...
What the @$%&*!
Let me just repeat that. The two ladies step out onto the earth’s surface and then conclude that the air and atmosphere are... are these gals stupid or what? A ship full of technologically advanced alien technology and instead of checking the atmosphere’s chemical composition etc... they step outside and see if they choke themselves to death to ascertain whether they can breathe in the Earth’s atmosphere or not. There’s no way these girls are going to be smart enough to succeed in their diabolical yet sexy mission! Anyway... enough of that. Cut to...
A singing cowboy, riding his horse and singing to the camera at what a misunderstood but lovable rogue he is. OMG! Within ten minutes of the movie starting, this has turned into a sci-fi western. This is brilliant. And this guy is satisfying the dual elements of hero and comic relief in this movie! This is great.
It gets greater still, when our melodious young hero bumps into the two women who get interested in him as a potential “male specimen”, ripe for their breeding programme. Obviously the cultural void left on Venus by the dearth of “singing cowboys” is something that has been weighing heavily on their minds. Maybe it’s the fact that this guy doesn’t have a giant brain sticking out of his oversize head, is not covered in stretchable fur, doesn’t have a cyclopean eye that wiggles about overactively on a stalk and isn’t, in fact, an animated animal skeleton, that makes him a more attractive proposition to the ladies in question... if their other "male specimens" are anything to go by. So later on, they go to visit our hero, Lauriano, and his kid brother and Lauriano explains to the ladies... and their big lumbering robot... the meaning of love by singing the lyrics of a bizarrely karaoke instrumental record from his juke box and, also, by giving them a kiss. Once they understand the concept of love, of course, both the Venusian girls want him for herself. Even the robot gets a bit frisky when he admires “the valves” on Lauriano’s “sexy” jukebox.
The gals go back to their ship of monsters to hasten repairs and argue about who gets to “do it” with Lauriano but somehow... and you have to believe I’m not making this up... one of the two wanders off somewhere and when the other (and don’t ask me which is which out of these sexy Italian women.. I kept getting them confused) monitors her on her unfeasibly all-seeing video screen in the ship... she discovers the other’s closely guarded secret.
Yes, that’s right. You guessed it didn’t you?
One of the girls is really an undercover, bloodsucking vampire from the planet Uranus. What’s that? You didn’t see that startling juxtaposition coming? Neither did I? What the heck? This movie just turned into a science fiction/western/horror movie for, as far as I can make out, absolutely no apparent reason whatsoever!
But of course (of course... eh?) bloodsucking vampirism is illegal on Venus and so Gamma, or possibly Beta, makes the other her prisoner so she can execute her later before getting back to the business in hand. However, our fanged and flying vampire escapes and captures the other. She then frees the alien monsters and strikes a deal with them to destroy the earth... promising to marry the big headed geezah with the brains that spill out decoratively from the top of his head. Some of the dialogue in this movie, if not all, is absolutely hilarious.
After all this happens, it’s a matter of intrigue and adventure as the loving Venusian who wants to marry Lauriano is rescued by him. After this, Lauriano manages to distract the Vampire lady, who wants him too, by singing at her and dancing until she is distracted enough to allow him to steal the robot control unit and the tables are turned. This is followed by a massive chase and punch up with all the principle cast until the aliens and vampire are vanquished and the true message of love is broadcast to the doomed female population of Venus. The robot, alone, returns to Venus... accompanied by Lauriano’s juke box, who dances and sings a song with him. True mechanical love is found!
This movie is, frankly, nuts and I enjoyed every minute of it. There is even some not too subtle dig at a famous Italian star of the time. Lauriano has a cow who he says bad things about and who he has named Lollabrigida. ‘nuff said.
There’s also some great special effects amidst the truly terrible ones. The aliens are laughable but the prosthetics on them, such as the cyclops’ overactive eye-on-a-stalk, are really quite good. The furry creature's stretching (like Mr. Fantastic) arms work surprisingly well (better than in Corman’s version of The Fantastic Four, reviewed here, that’s for sure) and the animation in the fight scenes of the animal skeleton creature is truly amazing. You won’t see any operators or strings here!
All in all, then, it’s an absolutely terrible sci-fi/western/horror mash up which has so much tackiness and fun in it that I couldn’t help but be absolutely charmed by it. I’m pretty sure the robot and aliens in this one probably turned up in other movies... either before or after... but I don’t know which ones. If you’re a fan of the absolute tackiest of 1950s and 1960s “atomic age” B-movies though, then you’re in for a treat. Try and get a hold of this one... it’s worth it’s weight in valves.
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