Sunday, 9 July 2023

John Barry Plays 007











Where Norman
Has Gone Before


John Barry Plays 007
by Geoff Leonard & Pete Walker
No visible ISBN
Windmill Books


A very quick shout out of a review to an interesting book a friend bought me for Christmas last year, John Barry Plays 007. The book was published in 2022 and has no ISBN. I’d not heard of it before and so am assuming my friend, who is always in the know about John Barry stuff (and alarmingly prejudiced when it comes to discussing authorship of The James Bond Theme), probably ordered this one direct from the publishers.

It’s a pretty cool book and does what it says on the tin, by taking each of Barry’s eleven Bond scores (plus the arrangement job from Dr. No) and breaking each one down dealing with a quick summary of the content of the film (which I suspect is not needed for most readers), followed by anecdotes on how the famous songs and scores were written and recorded, along with lots of info on the releases of the various records (and cover versions) of the various Bond related music and, of course, how both the singles and albums charted in various countries.

So yeah, there’s lots of stuff you may not know along with a lot of things the casual Barry listener will probably be aware of. So you get the anecdote Michael Caine recounted at John Barry’s return concert in the late 1990s about the gestation of Goldfinger (gosh that concert went on quite a few hours too long... I remember everyone having trouble getting home from central London after that gig), the chestnut about Shirley Bassey freeing her bust to be able to sing properly on the recording of that same song, the one about Tom Jones nearly passing out in the studio while trying to hold the last note of Thunderball... and various other things which are all a part of the John Barry myth and legend.

It also gives some nice insight into why Nancy Sinatra was not at her best when attempting to record You Only Live Twice (the final recording is made up from several different takes recorded on different days), a mystery about why her dad Frank pulled out after agreeing to sing the title song for Moonraker, and mention of earlier versions of You Only Live Twice, including the one that appeared on the Rarities album a few decades back and also one I’ve never heard recorded by Julie London.

Added to all this are many photos including rare ‘behind the scenes’ shots and, in itself quite valuable, absolutely loads of pictures of the covers of all the releases of the songs, soundtracks and knock offs (although I was a bit annoyed the old Eric Winstone Plays 007 album was not included). And then there’s the elephant in the room of course...

The book starts off with what I thought was going to be a credible testimony as to why many people believe John Barry wrote The James Bond Theme, rather than just arranging it. Using testimony from court cases and other sources, the authors try to paint a picture where Barry did just that, de-emphasising the importance of Monty Norman's role in it. It’s not convincing at all however and I still believe that Monty Norman was himself responsible for the melody and its use in various scenes. Barry did an arrangement... the definitive arrangement for sure... of the theme but, nope, it seems obvious to me now that Norman wrote the tune. And here’s the thing I will say to all those naysayers who have just stopped reading... just listen for yourself to the score in the movie Dr. No. Especially towards the end, in Norman’s underscore, you can hear The James Bond Theme dynamically woven into the fabric of the music. Not only was it Norman who wrote the main score which utilises this theme, before Barry was brought on board to make it more punchy and help carry the movie (which he assuredly did)... but one of those cues was even tracked in/added to the score of From Russia With Love in the final release cut so, yeah, go and have a think about that one.

Other than that, though... John Barry Plays 007 is a lovely book and I’m glad to have it. I also have yet another, much thicker book on the music of Barry to read and review at some point soon so, yeah, look for that on here either this year or the next.

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