Tuesday 23 April 2024

Heroes Of The East










Hitty Woman

Heroes Of The East
aka Zhong hua zhang fu
Hong Kong 1978
Directed by Chia-Liang Liu
Shaw Brothers/Celestial Pictures
Arrow Blu Ray Zone B


Okay, so the eleventh movie presented in Arrow’s Blu Ray ShawScope Vol 1 collection is Heroes Of The East and, it’s another entertaining yarn. That being said, I’m amazed that Shaw Brothers got away with releasing this one after the racist tone of the movie... I was going to say subtext but it’s way less subtle than that.

Okay, so it’s one of those films which introduces characters with credits from the moment they enter the story. I think I’ve only ever seen this practice done on Shaw Brothers movies and there are a lot in this box set which do this... once the titles are finished, they still just keep coming and coming until every new character has turned up throughout the course of the picture.

The film stars a young Gordon Liu as Ho Tao but, it’s a younger version of the actor in a way I’ve never seen him before... with a full head of almost Beatles-style mop top hair. After some shenanigans where he pretends to get ill rather than go through with an arranged marriage to a childhood companion, he drops all pretence of illness when he discovers she’s not the ugly battle axe he was expecting to have to marry. Far from it and, in the first of many credits in the movie which introduce actors and actresses with their specialist martial arts skills status, she is billed here as Japanese Seikendo Expert - Yuka Mizuno (who is here playing said new wife Yumiko).

Yup, it’s a ‘Chinese man marrying a Japanese woman‘ battle of the sexes comedy, for a while, with the extremely proficient new lady of the house pitching her belief in her own, ‘failing in the face of her husbands more elegant Chinese kung fu styles’ Japanese techniques, in which the battle is initially raised. So, yeah, it's a case of marital arts to martial arts, I guess.

However, it doesn’t take long to figure out for even the most IQ light viewer (so that’d be me then), it’s really about pushing the agenda that Chinese martial arts are far superior to Japanese brands and styles. This gets further pronounced in their domestic disputes to the point when, unable to take her techniques’ failures any more, she high tails it back to Japan.

So Ho sends her a letter challenging her to use her seven different kung fu styles against his in a battle to settle the dispute once and for all. However, her martial arts instructor (who also wants her for himself), shows his grandmaster the letter and seven of the masters in their special techniques (including him), plus the grandmaster as an observer, go to China to accept the challenge in her place, in seven duels.

From here on in, the film becomes a series of seven long fight scenes which, yeah, is all very watchable, fast paced and I dread to think how many times these various actors got hurt doing these sequences. So there are seven different skills and styles poor Ho has to go against... Swords, Karate (which Ho manages to defeat by somehow learning Drunken Kung Fu overnight), Nunchucks, Spears  (no match for Ho’s pole fighting technique), Sai (which is, yeah, the plural of Sai, as it turns out), a huge Judo guy who is defeated by Ho smearing his body with oil and, eventually, the Ninjitsu style as Yumilo’s affronted ex-master uses the most sneaky and deviously underhanded techniques to win his confrontation... losing out to the same techniques pitched against him.

So, yeah, there’s a sense of honour among the Japanese characters and they’re not presented as total idiots but, it’s very much, despite Ho’s attempt at a speech to help the Japanese regain face at the end, a movie saying ‘Chinese are better than Japanese’, live with it. So I’m surprised I’ve not been aware of any backlash against the film, which I’m sure it must have had.

It’s nicely put together too and the fight choreography is never boring. Indeed, rather than remain static and follow the action from afar, the director gets the camera right in with the actors, using camera motion to follow the fights around with a certain dynamism and kinetic appeal which, due to some good editing and clarity of where you are in a fight at any time, never gets at all confusing.

There’s some nice little moments in the fighting as well... such as the sense of honour of the characters. For instance, when Ho is using some kind of big choppy blades against his opponents sai, he disarms one sai from the other but then presents it back to him. The Japanese guy promptly sheaths it as it would be dishonourable to carry on using the weapon as it’s already been disarmed. In response, Ho beds one of his own weapons in a wooden support so they can carry on meeting each other on equal terms.

There are also some other things which add to the entertainment value... such as when the Ninja guy uses what he calls his Japanese Crab Fist technique, which really does have him energetically scuttling sideways here and there in stark resemblance to its crustacean origins. If that sounds a little silly... I can assure you it looks way more hilarious and ridiculous than it sounds and, I was almost sorry when Ho used his special Chinese Crane Fist technique to put a stop to his opponents sideways stratagems.

So yeah, Heroes Of The East is a bit of an unusual movie, starting off as a kind of Chinese/Japanese version of a Rock Hudson/Doris Day kind of comedy (with lethal weapons) but then turning into something far more serious, with the honour of Chinese martial arts resting on the energy and enthusiasm of the husband as he tries to somehow win back his wife by, I don’t know, reiterating in a more grander, large scale way what he tried to demonstrate to her in the first place. It’s a freeze frame ending so, yeah, we don’t know if this did the trick or not but, certainly that wouldn’t want to be a conversation I’d like to go back to if I was the male in this particular relationship.

And that’s me done on this one, I think. Despite its racist leanings I found the film to be thoroughly entertaining and didn’t mind the lopsided nature of the story as the comedy turned into something more serious and kinetic. Another good one in this set from Arrow.

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