Saturday, 7 December 2024

Shaolin Mantis









The Man
From A Mantis


Shaolin Mantis
aka Tang lang
Hong Kong 1978
Directed by Chia-Liang Liu
Shaw Brothers/Celestial Pictures
88 Films Blu Ray Zone B


Warning: Some mantis-like spoilers in this one.

Wow. This is an extremely entertaining Shaw Brothers martial arts movie, for sure (and for Shaw, I guess). The film stars screen legend David Chiang as Wei Fung, who becomes the Shaolin Mantis of the title. More on that later but, a quick summation of the style of the film is as follows...

A lame fight with freeze frame credits is followed by a scene where Wei Fung has to demonstrate and prove his kung fu skills to his emperor by defeating two of the emperor’s champions, the second being a cameo guest appearance by Chia-Hui Liu, who is perhaps best known to many westerners as Gordon Liu, from his appearance as two different characters in Quentin Tarantino’s Kill Bill movies. After he proves his mettle, Fung is sent out to spy on the clan of a region where the emperor suspects there is rebellion brewing and gain proof of such, with time deadlines devoted to punishments meted out on his family if he fails to return from his mission (ultimately ending as death for all as the final incentive).

So off Weng goes and he meets a good looking, young, insolent brat of a woman named Tien Chi-Chi, played by Cecilia Wong. She is in the process of throwing out her 18th personal tutor in, probably, as many months and, somehow, she takes a shine to Wei Fung and gives him a job as her new teacher. Luckily for him, this takes him into the household where the rebellion just happens to be brewing. When the elder uncle finds out he is a spy, he is going to kill the new teacher but, unbeknownst to Wei, the daughter tells him they are to be married and promises that he’ll stay in the compound. And so they do marry, with Wei none the wiser about what has happened. But soon he needs to go back to ensure his parents are safe and his situation is clarified for him in no uncertain terms. So he and his wife decide to break out but, first they must fight five fights with skilled kung fu experts, including the girl’s mother and auntie, to be able to leave. With tragic circumstances but, Wei escapes with his life (he’s the only one at this point... as his wife, the mother and aunt, all die either in these sequences or as a result of what happens).

Now then, while stumbling in the wilderness at his lowest point, a praying mantis attaches itself to Wei’s hand and won’t let go. He eventually gets it off him but then observes the mantis, along with assorted mantis friends... and realises the skill of the mantis staying attached to his hand comes from the insect’s martial arts mindset. An extended training montage plays out where he observes and emulates the moves and stance of the mantis, as he perfects a new mantis style of kung fu, giving himself maniacal mantised-up martial arts powers in order to beat the styles of the various guardians of his dead wife’s clan with something more formidable. And so he returns to fight his away back into the compound, bringing his mantis mayhem with him.

Eventually he returns to free his family from prison but, there’s a nasty twist at the end as to where his true allegiances lay... which I have to say I saw coming from the first five minutes of the film, to be honest (he’s way too reluctant a hero and obviously doesn’t want to go on the mission in the first place). It’s one of those endings where pretty much anyone you were rooting for dies and the only winner in this is the established emperor.

But the film packs a punch. I’m pretty sure the fighting on the credits and the opening two fight scenes where the hero has to prove his worth are only there because the next half an hour are pretty much just long, drawn out character development stuff... until the last hour of the film is pretty much one fight scene after another. So, if I were to sum the movie up it’s as follows...

Credits fights... two ‘prove your skills’ fights... long, slow but still entertaining scenes where characters and their relationships are built, followed by... fight, bigger fight, slightly bigger fight, even bigger fight and then biggest fight ending in tragedy and escape... followed by a silly but enthralling mantis kung fu training session... followed by a fight, a bigger fight, an even bigger fight and then, just for good measure, a really big fight. Followed by the ending which, almost but not quite... involves a fight.

But, honestly, I found the whole thing thoroughly riveting. I mean, this spectacular fight choreography looks more like a ballet so, I don’t know, maybe it’s the testosterone infused equivalent of dance but, whatever, it’s great to watch and, all in all, I had a great time with Shaolin Mantis. The swords and other weapons looked, maybe a little too shiny (like lacquered plastic accessories you’d get on early 1970s Playmobil figures) but David Chiang is as brilliant as always, as are the majority of the cast and I’m really pleased I blind bought this one last year (after the company posted a video of one of the fights on twitter). It’s good stuff and, well, I  have another fifty or so Shaw Brothers martial arts films still to watch and waiting in the wings so, I’ll get to those sometime soon, I guess.

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