Doctor Who - Lux

The Doctor Lux Out

Doctor Who - Lux
UK/USA 2025
Airdate: 19th April 2025

Warning. Some possible spoilers on overall arcs here.

Well colour me surprised. Yes, the latest Doctor Who story Lux is the clichéd old concept of a character, in this case a cartoon character called Mr. Ring-A-Dong and voiced by Alan Cumming, walking out of a cinema screen and coming to life to wreak havoc... but it’s also well done and, despite having a scene where the Doctor, played by Ncuti Gatwa, is tearing up yet again... it’s a pretty great episode. So that’s two in a row good ones now, since the debacle of last year’s series. I’m so pleased this was this well put together.

And it’s a somewhat engaging story as The Doctor rigs up a Vortex Indicator, which he shortens to ‘the Vindicator’ to act as a slingshot from wherever he and his cool new companion called (for now) Belinda (played brilliantly by Varada Sethu) next land, to get her home to the date from whence she came in 2025, since the TARDIS keeps bouncing off from the spot.

And then they stumble upon a mystery of an officially locked up cinema in Miami in1952. There they encounter the latest in the long play story arc of The Harbinger in Lux, who is one of the Gods of The Pantheon, as indicated to the audience by vocalising the notes of The Giggle from the episode of the same name from 2023 (and reviewed by me here).

There was a lot of great stuff about this episode with the cartoon manifestation of Mr. Ring-A-Ding being just one of the more epic effects being squeezed into, what was actually a fairly intimate episode, I thought. I could have perhaps done without the joke where, being accused of being Scooby Doo by Belinda, The Doctor identified more with Velma but, it was certainly a fun way of referring to any sexual politics encompassed by the show in its current form, rather than shoving it down everyone’s throat like last year.

And I loved the whole, long sequence where The Doctor and Belinda were trapped in a film, initially as cartoon versions of themselves, before they realised how to get a mindset where they become more shaded and defined before they return to their normal 3D shape and way of thinking... albeit still trapped in the film for a fair time.

Another pleasure of the episode was a scene in the same sequence where three fans of Doctor Who watching at home were, quite respectfully I thought, shown to take an active part in the proceedings, even if it turned out that they (aka we watching at home) were a fiction too. But considering the way a lot of the fan base of the show has been turning against it in recent years (especially last year), I was impressed there weren’t too many blatantly sly digs at the viewers and I especially loved that the favourite episode of all three of them was one of the show’s classics, Blink, much to the current Doctor’s chagrin.

Now I thought the segregation of black and white people in places like diners and cinemas in 1950s America was either pushed too strongly or, I dunno, maybe not pushed strongly enough... I still can’t quite make up my mind. But it might be a matter of time that it was not pursued in a more damning way, when you’ve only got 45 minutes to present a story. That's okay though...  it didn’t feel all that loosely balanced against the rest of the episode and I thought they just about got away with it.

I also loved that Mrs. Flood, once again played by Anita Dobson, turned up at the end in 1952 America (unseen by The Doctor and Belinda) and I’m guessing the importance of her character on events may be coming to the fore here. It’s interesting that she noted that the Doctor’s run would be coming to an end on May 24 this year, which is presumably the day on which this last series is due to put out its final episode. Is this hinting at my long suspected cancellation of the show? Quite possibly but I guess we’ll see in six weeks or so.

And that’s me done with Lux. The ending with the release of 15 captured presumed dead people seemed a little like the writers wanting to have their cake and eat it (a braver conclusion might have been to have their existences as trapped in celluloid burned up in the fire which occurs near the end of the episode) but overall I have to say I really enjoyed this one and am somehow looking forward to the third episode with a new sense of optimism... or at least hope. Fingers crossed the series continues in this light from hereon.

Doctor Who - The Witchfinders

Doctor Which?

Doctor Who - The Witchfinders
Airdate: 25th November 2018
BBC 1

Aaah... well... that one was what it was, I guess.

For me this episode was a bit of a dud again, alas but, to be fair, I’ve never really liked the idea of witchfinders and the persecution of innocents to push through personal agendas. That period of history always rubs me the wrong way and so, to be fair to this episode, this was never really going to be one of my favourites.

That being said, yeah... there was loads of good stuff here and so I’ll flag up some of this and try and suppress my own prejudices on this one.

So a nice thing about this was we had a great Hollywood actor in this episode, as far as I’m concerned. I’ve always had a soft spot for Alan Cumming since I saw him as Boris in Goldeneye (reviewed here) back in 1995. I was also impressed with him as Nightcrawler in the second of the X-Men films (before the franchise lost it and ate its own continuity on a film by film basis) and, if you appreciate this actor, then you owe it to yourself to see his absolutely brilliant villain in the astonishing but, alas, under appreciated modern masterpiece Josie And The Pussycats. So I don’t know how they got this guy for Doctor Who but here he is and he’s playing King James.

And it was absolutely brilliant to see the four series regulars... Jodie Whittaker, Bradley Walsh, Mandip Gill and Tosin Cole more than holding their own against him in terms of commanding the screen. Not that it’s a competition, of course but... sometimes strong personalities can inadvertently dim the fire of their fellow actors in a scene but, I’m glad to say this wasn’t the case here.

And we had a plot with the background of the Pendle Witches in Lancashire, although it gave us an addition to actual events, I suspect, rather than interpenetrate with the recorded history of those times as they occurred. I can only assume that’s the case because... well, there were no mud filled alien prison cell trees in the records as far as I know but, as I made clear, I’m not likely to be an expert on this period or subject matter.

That being said, though... everything just seemed a bit flat on this one, to me. We had The Doctor highlighting the prevailing attitudes of men and how difficult it is to be a woman in that time period and, frankly, things probably haven’t changed all that much since those days. I just get tired of hearing about that myself and it seemed such an obvious point that pushing it into the audience and highlighting it in this manner just seemed a bit... well... a bit like ‘old news’ I guess. Still, at least the message behind that sentiment is a worthy one for younger audiences to hear so I can’t see that as a hugely bad thing, personally. Just a little dull, in all honesty.

The music was lively in some scenes but I wondered if the composer was trying to be authentic to the time with all that fiddling (I have no idea but it kind of felt out of place to me here). I did get the feeling that the music was being deliberately written up-tempo to try and disguise the fact that, yes, this was a very slow moving episode. At least that’s how it seemed to me. Elmer Bernstein had the same problem with his score for The Magnificent Seven but that was much more suited to picking up the pace of that movie, it seems to me.

The special effects on the alien creatures were quite good in places... at least on the leading alien... but I did wonder if we needed all that CGI’d facial movement (I’m assuming that’s how it was done). Especially since the latest series has been further whittled down to only ten episodes. Personally, I think I’d prefer it if more stories were produced with slightly less than special effects rather than try and lend an air of credibility to some of the writer’s creations. Maybe I’m being a little cynical here but I suspect the effects have had a make over since the last season and this might be where some of that ‘possibly missing’ budget might have been rerouted to.

Okay, so this is once again a very short review for this week’s story but, honestly, this one didn’t inspire me. That being said, I hope people are now beginning to realise that Jodie Whittaker is doing a fantastic job here and I think she deserves a lot of credit for carrying the show in the way she is right now. I have absolutely no problem with her playing The Doctor at all... I just wish they’d get some better stories because there have been a few this season which felt like they didn’t have much of anything interesting to say and, to boot, weren’t all that entertaining. And this one, for me at least, was one of them.

Never mind, despite the protests of others in my near vicinity, I shall still be ready for another tale from the UK’s much loved TV hero next weekend. Let’s hope we get a really great one.