Showing posts with label Jessica Barden. Show all posts
Showing posts with label Jessica Barden. Show all posts

Thursday, 8 June 2017

Penny Dreadful Series 3



Lady And The Vamp

Penny Dreadful Series 3
2016 USA Blu Ray Zone B


Warning: Some spoilers.

And so I finally got around to watching Series 3 of Penny Dreadful and I’m happy to say that this third trip, with the surviving characters, is a lot more interesting than I thought it was going to be. At the end of the last season I expressed concerns that the continuation of the show would not be up to the high standards of the previous incarnations due to all the characters splitting up and going their separate ways. However, rather than giving us stand alone episodes of each one, as I’d expected, the majority of the series has each set of characters in scenes all crosscut in the same episodes.

So, as each character has their own adventures we can start to join the dots and see how one part of the story affects another and get a taste of how, when the inevitable reunion of characters happens (to some extent), the people are still very much caught up in one single minded cause. That cause, in this one, being the advent of the ‘end of days’ ushered in by Vanessa Ives (Eva Green) herself. And, I have to say that, beyond my expectations, this one really works well and I enjoyed this third series almost as much as I did the first.

We also have a bevvy of new characters, four of which... Dr. Jekyll, Dracula, Renfield and Dr. Seward... are ripped from the pages of British, gothic literature and a few others who... well, who are not. We have Perdita Weeks as the extremely cool ‘hunter warrioress’ character Catriona Hartdegen... although she’s introduced rather late in the story, almost like the writers are making her ready to become a regular in a fourth series although, as it turns out, a fourth season was not on the cards. We also have Dr. Seward, who has been recast as a lady and who is played by Patti LuPone. She is a problematic character in that she is played by the same actress who played Miss Ives’ witch friend/instructor in Series 2 and, to get around this, the writers have made that former character an ancestor of Dr. Seward. Which means the Vanessa Ives character is obviously a lot older than I’d thought... possibly hundreds of years. I don’t think I realised this when I watched the second season to be honest and, frankly, I'm still not sure how that timeline would work given her relationship with Sir Malcolm. And we have Jessica Barden playing a ‘waif with teeth’ who is rescued from a Victorian ‘torture/snuff’ club by both Billie Piper’s Lily (the Bride of Frankenstein character) and Reeve Carny’s Dorian Grey.

So, yeah, we start off with the various groups split. We have Sir Malcolm, as played by Timothy Dalton, who is about to be brought from his big game hunting in Africa by an Apache who claims to be the spiritual father of Ethan Chandler (aka Lawrence Talbot, the Wolfman)... in an effort to rescue him from his real father (who is played in one episode here by Brian Cox). Meanwhile, Ethan in Texas (as played by the brilliant Josh Hartnett) is rescued from his captors by the leftover witch from last series, played wonderfully by Sarah Greene. They then go on a mission to wreak bloody vengeance on Ethan’s real father but... well, I’m really trying to not get into spoiler territory here. We also have Eva Greene’s Vanessa Ive’s character left on her own in London where, after a period of heavy depression, she makes the acquaintance of the head of the Natural History Museum... but is she also being stalked by a greater menace from her past?

And then we have Victor Frankenstein hooking up with Doctor Jekyll in order to help him perfect a chemical serum which he hopes will relieve mankind of their baser, violent, out of control desires. Of course, we all know where this is going with Jekyll but, alas, it’s another thing which we don’t get to see through to culmination... almost, again, as if the writers were holding it back for a further series. One wonders if the writers knew it would be finished when they started writing this season or if they were as taken aback by the cancellation as the many core fans of the show were.

Finally we have Rory Kinnear’s brilliant reprise as the Frankenstein monster, who is now finally beginning to remember scraps of his former life. There is what is probably a retro but still effective gesture on the part of the writers here where another character from the regular pool, turns out to have memory loss of certain events and, as that character regains it, we find that Frankenstein’s monster and this particular character have a much deeper connection/history than the friendship they have slowly cultivated over the last two seasons. There’s one episode here which features the full, shared history of both characters here and it’s addictive and jaw dropping. Which is just as well, actually, because the Frankenstein monster shares no screen time with any of the other, regular characters in this one except for hiding out of sight of them towards the end of the last episode when... no, if you need to know the rest of that sentence then you need to watch it.

Now, since I knew that this was the last series and had some expectations that the writers knew that too (the last episode does, indeed, finish with the words ‘The End’), I was interested in seeing how one of the regular characters, Miss Ives, would finish up and, I have to say, it wasn’t at all what I expected. I fully expected to see her on her own, with all her friends and colleagues dead by the end of the last episode and she, herself, imprisoned within a straight jacket. This would have been the perfect ending for me here. However, instead of this, admittedly downbeat conclusion to the series, the writers have gone for something less expected and, in my opinion, maybe just a little less interesting but... well, I’m not too disappointed by the end game here. I certainly would have had trouble keeping interest in another series after the final events in this one play out as they have done and it’s an end which certainly, in my opinion, brings things to a sound conclusion... despite the possibilities of new regular characters being an interesting proposition.

And there’s not much more to say about this one, methinks.

Penny Dreadful Series 3 is another slice of moody, twisted gothic literature remade in the new image of the writers and served up with a dark and enhanced flavour, well held together by one of Abel Korzeniowski’s excellent scores. One of the few TV shows I’ve watched over the last year and, if you’re into the kinds of characters and situations explored herein, definitely worth some of your time, I think. 

Tuesday, 9 May 2017

Mindhorn



Mann Of Action

Mindhorn
UK 2016 Directed by Sean Foley
UK cinema release print.


When I first saw the trailer for Mindhorn some 6 to 8 weeks ago I looked at it and thought, yeah, looks like a film with a really strong comedy premise but the trailer really isn’t all that funny. Then, however, I remembered back to 1988, when I was almost dragged kicking and screaming to a film I didn’t want to go and see, Terry Gilliam’s remake The Adventures Of Baron Munchaussen, because the trailers had been so awful and offensive. That was the year I realised how misleading some trailers can be because Gilliam’s film, despite a much troubled shooting history, was an absolute instant classic. So I thought, yeah, Mindhorn... how bad can it be? After all, I’d sat through the truly terrible Johnny Depp movie Mordecai and lived to tell the tale (which I tell right here) and I was pretty sure that it couldn’t possibly be any worse than that.

In this prediction, at least, I was more or less right. It’s still not as bad as Mordecai.

Mindhorn is written by, and stars, Julian Barratt (who was so good in the absolutely brilliant Aaaaaaaah! which I reviewed here), playing fictional ‘career on the rocks’ actor Richard Thorncroft, who was best known for his cheesy, Isle of Mann based TV show in the 1980s called Mindhorn. In that show he portrayed the eyepatch wearing title character who had an advanced eyeball that could see into the truth of a person’s soul. However, cut to more or less modern times and a psychotic killer also based on the Isle of Mann, known only as The Kestrel and who thinks Mindhorn was a real person, will only negotiate if Mindhorn is brought in and so the police call in Thorncroft, who goes there with a mind to getting himself some much needed publicity for some kind of comeback or deal further along the road. However, all is not what it seems and there are bigger things afoot than the majority of the supporting characters are aware.

That’s pretty much all I’m giving away of the plot but the film takes Thorncroft through a minefield of ex-colleagues and co-workers from the show as he tries to figure out what really lurks behind the unusual request of The Kestrel and uncover something far more sinister lurking in the shadows. And it’s not without it’s entertainment value, to be sure.

The cast who, in addition to Julian Barratt, include the lovely Essie Davis, Jessica Barden (who was so good in Season Three of Penny Dreadful, reviewed here soon), Russell Tovey and even Steve Coogan are all pretty good. In fact, they’re more than good, they’re brilliant, especially when it comes to finding the little quirks and traits to their characters which tell a lot about them in a very short time. With a special heads up to Simon Farnaby as Thorncroft’s former stuntman who has since, in the fictional 'real life', stood in for him in every other way. Farnaby being the one who kind of steals the show with a couple of laughs here and there but, well that’s the problem with this movie right there...

Mindhorn is engaging, filled with some marvellous characters and is extremely clever. The plot sucks you in and I, for one, found myself really wanting to get involved in it more. I’m sure it must have looked really good on paper and I bet the script reads much better than it’s presented here because... and this is a crunch thing for me... it may be a cleverly concocted comedy but it’s just, really, not very funny. And there’s not much worse than a comedy which works on every possible level apart from the one creative element it needs to succeed as a comedy. In this way, Mindhorn reminded me more of last years spectacular but, ultimately, unfunny Ghostbusters reboot (which I reviewed here ). It’s exactly the same problem because Ghostbusters, too, had some great actresses in it with a lot of good chemistry who you really wanted to like... if only they had remembered to write some actual jokes in it.

And, like the aforementioned Ghostbusters reboot, this is pretty much the only thing which doesn’t work about the movie... but it’s such a crucial element that it causes the whole thing to fail. And it’s such a shame because its a very well observed movie which takes aspects of the human condition and kind of holds them up to the audience and says... look how ridiculous we are as a species. And I just loved things like the various Mindhorn merchandise and packaging such as the toxic truth powder and the different action figures. The music by Keefus Ciancia and David Holmes is appropriate to the images and captures the spirit of both Thorncroft as he is now and the kind of music being written for the fictional TV shows that were being spoofed. There’s a brilliant shout out to the varied and notorious drunken interviews given to Oliver Reed on various chat shows of the 1970s and 80s which was quite cool and there are even some memorable cameos from Kenneth Branagh and Simon Callow where they are playing themselves. But, yeah, you know... it’s just not funny.

And that’s about all I can really say about Mindhorn, at the moment. I rolled the dice on whether I should go and see this one and, unfortunately, the numbers didn’t come up lucky for me. If you are looking for a laugh out loud comedy then I think you might be looking in the wrong place when it comes to this one. That being said, if you are interested in some ingenious acting and are studying the way in which you can pull a character together in broad strokes and make things come alive for an audience then, you know, you might want to take a look at this one before it goes. Not my cuppa tea though, to be sure, so I wouldn’t be recommending it to anyone I know... alas.