Death On The Nile

 

A Gal In
Every Port

Death On The Nile
UK/USA 2022
Directed by Kenneth Branagh
20th Century Fox Blu Ray Zone B

Warning: Slight spoilers.

Finally catching up now to the 2022 release of Kenneth Branagh’s Death On The Nile... a loose adaptation of Agatha Christie’s novel of the same name and a sequel, in this case, to the director’s Murder On The Orient Express (reveiwed here), in which he reprises the role of Christie’s famous Belgium detective Hercule Poirot.

And there’s lots of things wrong with it, it has to be said. Especially if you’re an Agatha Christie purist and treat her original works as sacred. I don’t and am somewhat fortunate, in regards to this film, that I’m not all that familiar with the story. The first and last time I had any exposure to this particular tale was in my local cinema in 1978, when I saw Peter Ustinov play Poirot in the adaptation of it from that year. It was a much publicised film and I think I found it pleasant enough (which is probably not nearly enough for a ten year old boy watching more sensationalist fair such as Star Wars and Battlestar Galactica) but I absolutely don’t remember anything of it other than Ustinov wore a white hat... I think.

So, luckily for me, I found this new version by Branagh to be utterly entertaining and well directed, with some beautiful, symmetrical cinematography and bright, almost lurid colours signalling stark contrasts in tonal palettes, to indicate key locations (and even time shifts) at various points. There are a load of problems though... so I’ll get to those first.

The character of Poirot is at least 30 years younger than in the books and here is seen, younged up and clean shaven, serving in the Belgium army during the First World War. The scenes serve as an introduction to the film and are rendered in a beautifully crisp black and white which helps serve, along with a later flashback, to give us both an origin of why Poirot grows these enormous moustaches and also helps to humanise Poirot. So I think Christie purists would have bailed by this point of the pre-credits because, yeah, all of this is just made up and not from source.

Then we have the various characters and plot mechanics themselves... many of them amalgamated or replaced to give a smaller ensemble. Perhaps a very smart movie for a film adaptation but not something fans of the novel would easily embrace, I suspect.

Now I’ve said that, though... the cast are all wonderful and there are some real star names on board the paddle steamer, which serves as the ‘murder cruise’ location for the majority of the film. Actors such as Annette Bening, Letitia Wright, Armie Harmer, Sophie Okonedo and, the film even reunites famed comedy duo French and Saunders as ageing lesbian lovers. Joining them is the absolutely brilliant Gal Gadot and, I have to say, I was impressed by her skills as an actress here. I mean, she does brilliantly as Wonder Woman but I was amazed she was able to hold her own with such acting heavyweights on board... more than hold her own actually, she pretty much outshines many of them and I was truly astonished by her presence on screen again in this one.

There were two more big downsides for me though. One is when one of the characters greets Poirot with a parody of a famous line from Casablanca, “Of all the pyramids in all the world...” etc. Alas, the main action of this film takes place in 1937... five years prior to the release of the film this character is paraphrasing. So, yeah, this was quite a glaring error.

The other big problem for me was... knowing it was a mystery. As soon as I heard one of the characters complain that some red paint was missing, I knew that a gunshot wound or some such was obviously going to be restaged to reframe the timing of a murder and I was pretty sure I knew, due to some atmospheric dance hall telegraphing near the start of the movie, exactly who the two culprits would be. Despite their pretences throughout the main body of the movie. So, alas, within the first twenty minutes of the movie, I was pretty sure I knew who would be responsible for various murders and... yes, alas... I was completely right. Always a bad thing, in my book.

However, I will say that, for all it’s many perceived flaws, I thoroughly enjoyed this production and was content to let the beautiful performances and wonderful cinematography, counter pointed by a nice score by the director’s regular collaborator, composer Patrick Doyle, wash over me and give me a nice time. I even enjoyed the romantic spark of humanity stirred up in the movie and bolstered by an epilogue which clearly spells out Poirot’s intent to one of the other characters (a scene which also features a cameo by long standing TV Poirot David Suchet, as it happens). So, yeah, if you’re a strict Agatha Christie fan then you may find this new version of Death On The Nile to be in poor taste, perhaps... but I certainly had a good time with it, despite the ease of the solution to the mystery. Glad I saw this one and I hope Branagh gives us a third sometime soon.

Black Panther - Wakanda Forever

Lying Subs

Black Panther -
Wakanda Forever
USA 2022
Directed by Ryan Coogler
Marvel/Disney

Warning: Spoilers in the second half of this review

Okay... the good stuff first because, it has to be said, I had some issues with Black Panther - Wakanda Forever. However, that didn’t stop me enjoying the movie way more than the first one. I’ve got nothing against former star, the late Chadwick Boseman in the role, I thought he did a good job but, it has to be said, the first Black Panther (reviewed here when I was in a more forgiving mood), was pretty dull and surprisingly repetitive, for the most part. It was a bit ‘meh’ and I’ve only watched that one twice (once at the cinema and once on Blu Ray) so, yeah, it wasn’t that good. I’m delighted and more than a little surprised that this second, direct follow up (as opposed to the many indirect follow ups), is actually immensely entertaining as a stand alone cinematic delight. And that’s perhaps all that matters.

Also, forgive me for not mentioning the character of Ironheart much here (played in the movie by Dominique Thorne) but she’s a relatively new character in the comic books and I have no personal experience of her... I guess she’s around to pick up the mantle of Iron Man in word and deed and, fine, if they can’t get Rob Downey Jr back in the MCU then, that’s the way it is, I guess.

It’s well directed (again, as a purely cinema excursion, as opposed to adapting characters from the comics) and jostled along at a pleasing pace.. although when Shuri (played once again by Letitia Wright) tours Atlantis (but not Atlantis by name anymore, in this ‘adaptation’), the film does stop dead and get deathly dull for just a while. Similarly, when she goes through her dream visitation, it’s equally less engaging than the rest of the movie but, at least that sequence is over quicker. I would say, however that there are a few big negatives, two of which angered me greatly but which, despite popping me out of the movie to reflect on my fury for a few minutes, didn’t taint the viewing experience as a whole.

There are also a couple of traps the movie fell into which were pretty obvious. First of all, they’ve been trying to keep the identity of the new Black Panther a secret and, honestly, I don’t know why they bothered. It was obvious, when Boseman left this mortal coil, who would take over in that role and, sure enough, the character you are totally expecting to inherit the mantle in this movie pretty much does. The other thing this film did was to kill a character from the previous one off at a certain point and, I would be surprised if nobody saw that coming as it was the obvious dramatic beat needed to motivate another character into their ultimate destiny. So, yeah, don’t go to this movie expecting any surprises, that’s for sure.

Okay, onto the really negative stuff I still feel angry enough about to mention then... and we are now getting into spoiler territory people, so stop reading if you don’t want to know. 

 So we have a prologue to the movie where the emotional stuff about Boseman’s Panther is mourned. It seemed almost like a plug in and didn’t do much for me but, since I know a lot of the audience for this film were pretty upset when Boseman passed (rightly so, I’m sure), I’m guessing these sequences meant something. This is followed by a nice segue into a tribute to Boseman as part of the Marvel logo. Which was nice. What’s not so nice is the next inter-title of the movie which proclaims that we have moved on... and I quote... “One Year Later”. Except, after a day has passed in the story, we then find a character referring to the date as being exactly one year later. What the heck? So the subtitles here totally lied to us... it should have read “364 Days Later” because, frankly, a year had not yet passed. I felt really angry and completely lied to at this early point in the movie. Now I know Marvel has a track record within the franchise of getting their dates and times mixed up and just plain wrong (Spider-Man Homecoming anybody?) but this is literally a time mistake in the same film and it would have been so easy to correct it by just putting the right subtitle up there. Absolutely crazy. I felt really let down at this point. If you can’t trust the written narrative then what can you trust (it takes me back to the days of the Museum Of Moving Image where, despite me complaining on several visits, they had a photo from Blade Runner labelled up as being set in the year 2020 instead of November of 2019)?

The other thing was the introduction of Namor... aka The Sub Mariner... into the Marvel universe. They totally screwed this up in many ways, it seemed to me. Now I’ve got nothing against the actor playing him here, Tenoch Huerta Mejía. I thought he did a good job with the role and gave it a certain depth of character to Marvel’s first comic book anti-hero, who made his debut in Marvel Comics No 1 in 1939. However, Namor was never a complex, three dimensional character. He was more of a hot head, unthinking person who got into scrapes for all the wrong reasons and his dialogue was never that well thought out, especially back in the 1930s and 1940s. He was never this eloquent, expressive or well thought out in his speech and... yes, I know you have to change things to make them work well in a movie but, this just seemed like a betrayal of the character.

Also, I felt like we’d lost the rich legacy of the character by introducing him in a Black Panther movie. When the character was re-established in the silver age of comics incarnation of the Marvel universe in the 1962 Issue 4 of Fantastic Four, it was an absolutely brilliant reveal to his character. As the inheritor of the mantle of Namor’s former frenemy, The Human Torch, burned the beard of a hobo’s face away and revealed him as the long, lost character from the 1930s. I would have loved for Marvel to bring him back in the same way cinematically, perhaps in their upcoming Fantastic Four movie and, let’s face it, what’s the point in having a post 1960s version of the Sub Mariner if he isn’t constantly trying to get into the Invisible Girl’s knickers? This is the version of the character I wanted to see... not this, admittedly well acted, more sophisticated version of the Sub Mariner. Again, not Tenoch Huerta Mejía’s fault, he does well with what has been written for him here... it just felt totally wrong for fans of Namor.

The other slight yawn of a plot point was when they turned Martin Freeman’s long standing ally into a fugitive from justice. It was nice seeing him again as the character but it really achieved nothing in terms of contributing to the overall story and, I can only assume that this is Marvel laying a bit of groundwork to reintroduce the character in more of a ‘superhero’ role later on down the line. I guess we’ll have to see.

However, other than the crippling negative elements of the film, which I just pointed out... yeah, pretty good movie. It entertained and I mostly had a good time with it. Looking forward to seeing where they go from here, in a way (although not in terms of Namor, it has to be said). If you’re into the Marvel movies and liked the original Black Panther, then Black Panther Wakanda Forever should certainly score some points with you... not least because it’s a far superior movie than its predecessor, for sure. Give this one a look if you are into your superhero movies, is my advice on this one.

Black Panther

Wakanda Man Is He?

Black Panther
2018 USA Directed by Ryan Coogler
UK cinema release print.

Black Panther is the latest in the chain-linked Marvel Cinematic Universe movies which have set modern cinematic trends on fire since the debut of the first Iron Man film. It carries on directly from story and character elements set up in both Avengers - Age Of Ultron (reviewed here) and Captain America - Civil War (reviewed here).

Now, I’m not a big Black Panther comic book fan, truth be told. I remember I used to draw him occasionally as a kid (like most of the Marvel and DC superheroes) but I never really had any of his stand alone appearances... just the odd appearance in a hardback UK british Marvel annual or Marvel Treasury edition guesting in other heroes' stories. So, in terms of the comic book roots for this film, I can’t really talk with any authority.

I do, however, remember Klaw (aka Ulysses Klau) and was really stoked when he turned up in Age Of Ultron, portrayed by Andy Serkis, because I wanted to see him in the colourful costume and with the ‘sonic claw’ he used to wear on his arm. Alas, my biggest disappointment with this movie is that, although Serkis once again shows up to do the honours, I felt he was a really under utilised character and, alas, doesn’t have either the costume or that big metal stump  with the sonic antenna sticking out of it... which is a shame. I had further disappointment with this character’s arc here too... used as a bit of a plot point rather than a character in his own right... but I can’t say too much here because I want this review to be spoiler free.

As it happens though, in spite of this, Black Panther is actually pretty good and certainly holds its own with a fair amount of the MCU movies over the years. And in terms of art direction... well in that respect it’s probably the best of the current Marvel movies... at least in a visual sense.

The film has good performances all around and that helps a lot for a movie with not many ties to the other films being present in the flesh, so to speak. Chadwick Boseman really seems to have grown into the role fairly quickly and he has some of the humour which the character was missing in Captain America - Civil War. Which is not surprising since his involvement in that movie came from his reaction to the death of his father. Martin Freeman returns here too, as the CIA agent he played in Civil War and he is also a heck of a lot more palatable this time around with him taking a more heroic role... though having an American accent coming out of his mouth is still just plain wrong and sounds quite terrible. Lupita Lupita Nyong'o, Letitia Wright, Angela Bassett, Daniel Kaluuya and Forest Whitaker are all, as expected, strong in their varies supporting roles and, I have to say, Michael B. Jordan as the villanous Killmonger is quite striking, both in presence and appearance here.

Okay. So there’s a lot of good stuff here with an almost ‘international espionage’ tone to some of the scenes (my favourite part of the movie was the ‘incident’ set in a casino in Busan) and the action is as competently handled as well as it is in all the other Marvel movies of recent years. That being said, in a movie which is pretty entertaining a lot of the time, I did have a few little grumbles with it.

Okay, so my main problem was that it was quite repetitive all the way through. You have three (technically) combat challenge scenes, three spirit journey scenes and the whole thing kept feeling like... "Didn’t I see this stuff enough earlier in the movie?" I take the point that most Marvel movies like this are somewhat formulaic in that they are ‘battle - pause - battle - pause - battle - pause’ movies but I just felt the types of situations which presented these conflicts could have been a little more varied in the execution. This is maybe, partially, due to the fact that the film doesn’t ‘globe hop’ as much as some of the others (most of it is set in the fictional country of Wakanda) and... I dunno... it just got a bit ‘samey’ after a while.

The only other problem I have with it is in the continuity of the Black Panther character in relation to his other appearance. We saw in Captain America - Civil War how he failed to stop the murder of his father and then took over the mantle of Black Panther. However, it turns out he doesn’t get his ‘panther powers’ bestowed on him - by the ingestion of a specific herb - until this part of the story, set after those events from the former film. So are we saying the version of the character in that one was not operating at optimum strength? Especially when, to be honest, I couldn’t see much (if any) difference between that version of the character and this one? I either didn’t understand something or there was some sloppy writing in here. Not sure which, to be honest.

These are all fairly minor grumbles though and there’s a lot of good stuff to make up for it.

I said the film has the best art direction of any of the MCU films to date and the colours utilised throughout are fantastic. I loved the clashes of the red costumes of the king’s personal guard against the various sets/locations and there are some amazing, probably artifically enhanced, skies in this film. It’s really nice to look at and marks this director out as someone to watch, I think.

It also has a really nice score by Ludwig Göransson but I’m really unhappy that, just like another MCU film Guardians Of The Galaxy 2 (reviewed here), the powers that be have not seen fit to issue a CD release of this one... instead going down the incredibly stupid ‘download’ route. Way to exclude the soundtrack listeners who wanted to purchase this thing people! This practice should be outlawed.

So there you have it. A pretty cool film. I don’t think it deserves all the unbelievable hype it seems to be getting and, frankly, it’s no Wonder Woman (reviewed here) but it is a pretty good entry in the series and it certainly doesn’t let the other movies down... although I didn’t like it as much as some of the others from the last couple of years of the ongoing saga, truth be told. It does have a certain power though and brings, again, a slightly different feel to the Marvel Cinematic Universe which will be useful in future crossovers... the next one being the big Avengers - Infinity War film in two months time. With regards to that, this film has two post credits scenes... one in the middle and one right at the end so, you know, you might want to stick around for those two. A certain character makes an appearance in the second of these who I was expecting to turn up in the main body of the movie properly and lend a hand, given the set up in a previous film but... oh well, at least he’s in here.

If you are a lover of the Marvel superhero movies then Black Panther is a little different and definitely one to have a look at... especially if you want to know what’s going on for the next one. Definitely give this one a go if this is your thing. A solid entry in the ongoing Marvel juggernaut.