What They Did
In The Shadows
Tales Of The Shadowmen
19 - Demi-Monde
edited by Jean-Marc & Randy Lofficier
Black Coat Press
ISBN: 9781649321770
Just a very quick mini review of what is, alas, the penultimate collection of stories in the much loved Tales Of The Shadowmen series, Volume 19 (of 20), Demi-Monde.
For those unfamiliar with these collections or with any of my previous reviews of those in the series, the two editors Jean-Marc and Randy Lofficier have created, for Black Coat Press, a series of collected stories all of which mix up famous genre characters of pulp literature and film (including lots of French pulp characters, of course, these are French collections translated into English) and written by various writers... some famous and some not.
Now, a quick note about the editors, both of whom, once again, have a written story each in this collection... I’ve known about these two for years since first spying Jean-Marc’s name on the original editions of the two volumes making up The Doctor Who Programme Guide in the early 1980s. I’d always assumed from their names that they were brothers but, it turns out (the clue came, less than subtly, in the Rick Lai introduction to this tome) that they are, in fact, husband and wife. So I assume a very happy and long marriage steeped in creating and organising genre concoctions.
As in pretty much any portmanteau of collected stories, the tales in here are a bit hit and miss (and all very differtent hits and misses to each individual reader, I’m sure) but this one has the usual mix of genre mash-ups and a fair bit of intrigue. The Brasher Bat by Tim Newton Adenrson which opens the volume, for example, tells of what happens when Billy Bunter’s cricket team are taken over by vampires and various future detectives and others, as schoolboys, are there to investigate.
Another very interesting tale by Matthew Dennion, The Worthiness of the Wielder had Dumas’ Milady DeWinter, in her usual nefarious manner, hiring the blade of Robert E. Howard’s Solomon Kane in order to stop D’Artagnan and Constance from finding various accoutrements once belonging to Thor, including his hammer Mjölnir... she's, of course, acting on the orders of Cardinal Richelieu... this was easily one of my favourite tales in the book.
Other genre interpenetrations include a bunch of Spaghetti Western characters, one teamed up with Josephine Balsamo of The Black Coats and another tale of The Phantom Angel teamed up with... Hopkirk (Deceased). Other attractions include a story where Jules Verne pits his wits against Professor Moriarty and a wonderful account where John Buchan’s Richard Hannay is teamed up with Arsene Lupin against the Germans during the First World War, that I found quite entertaining.
My favourite story in the tome was Matthew Baugh’s Hercules and Samson VS The Russian Vampire and the Zombies of Frankenstein... a title which is as partially accurate as the internationally marketed versions of the Mexican Lucahdore movies it’s inspired by and which features such characters as Maciste, Santo, Blue Demon, Mils Mascaras, The Bat Woman and even mention of Satanico Pandemonium... so this one was easily worth the ‘price of admission’ for me.
And that’s me done with, as I said, another short review of a book in this series. Tales Of The Shadowmen 19 - Demi-Monde is another fascinating and diverse read for those who are smitten by the legacy of international pulp fiction and it is with a bitter-sweet feeling that I look forward to the final, double sized tome in this well regarded series (which was, alas, also twice the price but I picked it up pretty quickly because, I fear, these books might now be an endangered species in terms of availability in the not so distant future).
Thursday, 15 August 2024
Tales Of The Shadowmen 19 - Demi-Monde
Tuesday, 19 December 2023
The Three Musketeers - Chapter II: Milady
Fleur-de-Eva
The Three Musketeers
Chapter II: Milady
Directed by Martin Bourboulon
France/Germany/
Spain/Belgium 2023
Pathe
UK Cinema Print
Made back to back with The Three Musketeers - Chapter I: d’Artagnan (reveiwed here) over a 150 day shoot and released in cinemas in the same year as the first installment, The Three Musketeers - Chapter II - Milady picks up from the cliffhanger ending of the first film but, not before providing a lengthy recap of the events as they played out in the first part (not unlike Richard Lester’s The Four Musketeers did back in the 1970s - review coming in 2024). And this one probably needs it more than most versions if you’ve not seen that first part in a while because, well, to say that this ‘adaptation’ plays hard and fast with Alexandre Dumas’ original writings would be an understatement. I don’t mind that so much because I’ve honestly never seen a filmed version of The Three Musketeers which didn’t stray far from the source material but, yeah, don’t go into this one thinking it’s a faithful version, just because it’s French. It’s got all the tragedy of the original in regards to certain characters but... yeah, the producers do try to have their cake and eat it here by quite pointedly leaving it open for a character to return in some kinda sequel... who certainly didn’t survive beyond this point in the original book.
Because it was all made in one lump, all the cast from the original movie are here for this including the wonderful Four Musketeers played by François Civil (d’Artagnan), the always brilliant Vincent Cassel (as Athos, I’m really not used to seeing this guy playing a heroic character), Romain Duris (Aramis) and Pio Marmaï (Porthos). There’s also Lyna Khoudri as Constance (hardly appearing in this part of the story at all... much like Raquel Welch dropping out of the narrative for a while in the Richard Lester versions) and the incredible Eva Green as arch villainess Milady. Despite playing fast and loose with the character of Milady (not to mention d’Artagnan’s almost complete lack of amorous interest in her compared to his actions in the original story), Green sets the screen on fire as she always does and makes a very memorable version of the character... not to mention getting more involved with the brawling and sword fighting this time around.
Like the first movie, it’s enjoyable hokum and it’s filmed in a very gritty style. Lots of moving camerawork and with most of the fights being done in either single or very long sets of takes with the camera following the action and splitting off at multiple key moments to ‘catch what the next person is up to’ in the heat of battle. What this does is adds a sheen, no matter how artificial, of truth via a fly on the wall style approach to the squirmishes, lending the film a much needed air of credence to counteract just how many liberties are being taken with the story.
The gorgeous score by Guillaume Roussel also keeps things grounded in the grit and speed of the unfolding story, giving the beautifully shot scenes an audio resonance that distracts from the narrative departures effectively.
So, yeah, look on the way the story unfolds as just a different set of directions for the tale which, in all honesty, still very much has the seeds to take the same cast into the next part of the saga... Twenty Years After, should they decide to come back and do that at some point. Perhaps sooner than later because, for some reason, this new movie version very much leaves things on a cliffhanger ending again... which I wasn’t expecting.
A short review alas but, all in all I have to say that The Three Musketeers - Chapter II: Milady is an enjoyable romp and a good piece of adventure cinema which keeps the blood pumping, displaying equal parts action, romance, comedy, betrayal and tragedy as it gallops towards its conclusion. Will definitely be picking this one up on Blu Ray when it comes out.

