Showing posts with label Morena Baccarin. Show all posts
Showing posts with label Morena Baccarin. Show all posts
Thursday, 17 May 2018
Deadpool 2
Pool Runnings
Deadpool 2
2018 USA Directed by David Leitch
UK cinema release print.
Warning: I’ve tried to keep it to a minimum but... slight spoilers.
Okay so, just over two years since the fairly awesome Deadpool movie (reviewed here) hit our cinemas we finally have Deadpool 2 and it’s... err... okay, well it’s really not bad, I suppose... ish.
Actually, I did find this sequel kinda disappointing to be honest... I just can’t put my finger on why that was because the performances by the likes of Ryan Reynolds, Josh Brolin, Morena Baccarin, Brianna Hildebrand and Zazie Beetz were all pretty cool. Likewise, the script wasn’t too bad and although I found it a little bit more dense in terms of semi-obscure Marvel Comics and Marvel Cinematic Universe references (I suspect some people will not have a clue that there are certain jokes here) it was pretty “full on” and moved a mile a minute. Added to that, the direction and action editing wasn’t bad, with David Leitch, who directed Atomic Blonde (reviewed here) jumping into the main chair on this one... at least you could understand what was going on most of the time.
Why, then, did I feel this movie was fun but not all that engaging?
Well, it doesn’t help that one of my favourite characters from the first film is basically killed off in the first five or ten minutes. Now, it has to be said, since this film’s big new character, Cable, is a time traveller, it kinda felt this was an easy set up for the first major casualty of the film to return at the end. The strange thing was, the film-makers didn’t take the easy way around to this (nor one which made any sense in terms of how we’ve seen the way their version of time travel works earlier in the film... temporal logic flies completely out the window by this point) and have saved it for one of the mid-closing credits sequences in the movie. Which is fine but, since the jokey and metatextual nature of the majority of those extras could possibly be taken as a separate thing apart from the movie, I and a couple of people I spoke to, couldn’t quite work out if the character was supposed to be alive for the next movie or not (if there is one). So, yeah, it’s kind of puzzling. Either way, though, there’s not too much of the particular character in question (who I won’t reveal here) in this and so I was not happy about it.
I was even less happy when I watched a somewhat James Bondian opening title sequence which kinda commented on what the audience’s state of mind must have been in after the pre-credits sequence in which said character died. I really didn’t need to be told how I was supposed to be feeling and, like I said, I was already expecting time travel shenanigans by this point.
Another thing which niggled a little is that another of my favourite characters from the first film... didn’t have a heck of a lot to do in this one either, it has to be said. I wanted to see more of a particular person in this and that just didn’t happen for me... although that character's arc since the first movie is kinda cute, at least.
There were, of course, loads of good things about the movie too and, like I said, it’s really not a bad experience at all... I just didn’t love it like I did the first one.
Okay so, good things...
Well there are a couple of nice new characters. One of them didn’t last that long (although, again, time travel to wipe out past incidents people!) but the one who did, Domino (played really well by Zaxie Beetz) was a pretty cool one. Domino’s super power is good luck which Deadpool argues is not cinematic. Then the cast and crew spend time demonstrating just how visually interesting and comedic it is throughout the rest of the film, of course. I loved the way how sometimes things would just fall into place for her and at other times, the action would pre-empt and set things up to her advantage. For example, we see some stuff happening with a bus heading towards the walls of the building she’s in just before we hear her say something along the lines of “We could really use a bus right now”. Said transport crashes through the walls for her to use a half a second later.
Also, Cable’s character does go through kind of an emotional arc and Brolin plays him really well... I’m really beginning to get the hang of this actor now. He brought a lot of depth and emotion to Thanos in Avengers - Infinity War (reviewed here) and he’s similarly interesting and three dimensional here.
Other good stuff includes a battle between Deadpool and Cable in prison where our hero tries to stop Cable from killing a young boy before he has the chance to do horrifying things in the future. The problem here, though, is that probably nothing else in the film really tops this sequence, which must be about half the way through the movie and the rest of the film felt a little like an anticlimax in comparison. However, it’s a very nice sequence and, like I said, the film really isn’t a bad one.
Another great thing is the quality of the jokes. I said that a lot of them are going to go over some people’s heads but there’s a lovely moment where the character bridges the gap, so to speak, of the various Marvel franchises by cracking a line made famous in some of the MCU movies which I really appreciated. Plus, the very first thing you see on screen of a certain musical paperweight is going to get some wide grins I’m sure. Not to mention some of the franchise crossing and even, in a weird way, comic book company crossing in some of the post-credits scenes. In fact, there are a fair few jokes at the expense of the DC universe in this movie too, which got some laughs from the audience I was with (despite having to wait 40 minutes for a broken projector at Cineworld to be repaired before the movie started).
All in all, I find I don’t have too much to say about this one, to be honest. My hope is that there was just so much going on with it that I need to see it again to process it properly and then I’ll maybe enjoy it more then. I usually refer to the Ryan Reynolds character as being similar to Groucho Marx crossed with the superhero genre and, if I were to push the analogy, I might say that the original Deadpool felt a little like one of the early, Marx Brothers masterpieces of the late 1920s and early 1930s whereas, Deadpool 2 is more like one of their later, not so outrageously funny but still fairly entertaining efforts. If you’re a Deadpool fan you may find yourself a little less enamoured with this one but, saying that, I seem to be pretty much in the minority on this one. Not the best Marvel movie I’ve seen but, absolutely nowhere near the bad ones either. Hopefully the third one, if there is one, will recapture the spirit of the first.
Thursday, 11 February 2016
Deadpool
Metatext Tool
Deadpool
2015 USA/Canada
Directed by Tim Miller
UK cinema release print.
I have absolutely no idea who Deadpool is.
That is to say, he’s an early 1990s comic book creation... a time when I’d mostly given up on superhero comic books for... any other comic books that were more interesting. What I’m saying here is... I can’t judge this thing in terms of it being a good or bad adaptation.
I didn’t like the trailer for this movie much either... but the only time my friend, who actually did like the trailer, could go and see this was the first night it opened. So it was pretty much sold out for most of the screenings but we managed to get in. I’m really glad we did, as it happens.
Now I was going to be all sure of myself and say this is the third comic book movie I’d seen with Ryan Reynolds in it (an actor who I quite like)... but a quick check on IMDB reveals a slightly different picture. This is, in fact, his fifth comic book movie. He was in one of the Blade movies... which I’ve not seen but my dad is a big fan of those. He was in RIPD, which I kinda liked and my review is here. He was also Green Lantern, which I loved and reviewed here. Yeah, I was that guy who liked that movie, so you might want to take anything I say with a pinch of salt from hereon in. The other comic book movie Reynolds was in was X-Men Origins: Wolverine, again another movie which I liked despite its general reception. I reviewed it here but... here’s the thing about that movie. I don’t actually even remember him in it but Ryan Reynolds played Deadpool in that movie too. Something which I just can’t recall but which I’m sure I’ll more than notice next time I pop that movie into the player.
This current variant of Deadpool has a slightly different origin, apparently due to the timeline set up from Bryan Singer’s X-Men: Days Of Future Past, which I reviewed here and which I absolutely hated because of the total lack of logic of the starting point from where that movie told its tale. It completely broke continuity with previous films in the series. However, this apparently explains why both Deadpool and Colossus both have some differences to their characters... with Colossus even being played by a different actor.
However, with all this stuff out of the way, is Deadpool a good movie?
Oh yeah.
Like I said, I wasn’t that enamoured of the trailer but the movie itself is an absolute gem. After a quite funny opening title sequence which looks like it could have really been enhanced even more in some kind of 3D release, the film starts off with a battle scene between Deadpool and a load of bad guys which is filled with violence. A lot of the scenes in those trailers were made up from parts of this sequence. Then, just as the old Marvel comics used to do back in the good old days, we get the main character telling you the story of how he arrived at this point and, as the battle continues on, he keeps coming back to it at different points until about two thirds of the way through the narrative, when you’re about caught up on the back story and just why the title character is like he is. This style of getting you hooked on the action and playing ‘catch up’ afterwords is typical of the difference between the way rival companies DC and Marvel used to operate, especially in the 1960s and 1970s, actually. DC were always more linear... Marvel comics made you shift your mindset just a little to accommodate the sequencing.
Now, I said Deadpool, played brilliantly by Ryan Reynolds as some kind of ultra-violent Groucho Marx by way of Bugs Bunny character, tells the audience the story of how he got to this point. Well, he does this by breaking the fourth wall and I believe this is also something that is part of his character in the comics... similar to what John Byrne used to do with his run on The Sensational She-Hulk, I would guess. But when I say he breaks the fourth wall, I don’t mean he does it from time to time... I mean he does it constantly. In fact, he doesn’t break the fourth wall so much as rip it apart with a bulldozer, stamp on it, reassemble it and then kick it some more until he starts bleeding all over the audience... you might want to duck if you’re in the first few rows. And he doesn’t stop at just catching you up with the story... he is talking to the audience constantly, all the way through the movie, and making metatextual references, sometimes at the expense of other characters who are rooted in the narrative.
Slight spoiler in this paragraph: For example, he goes toe to toe with Colossus (played by Stefan Kapicic) and Negasonic Teenage Warhead (played brilliantly by someone called Brianna Hildebrand) and, when he goes to the X-Men Mansion for help later in the movie and it’s only the two of them at home, he makes a crack to the audience about the producers only being able to afford these two X-Men for the movie. He does this kind of thing constantly (no, I’m really not going to spoil all the jokes for you here) and you’d really think that this would get kind of old real fast but... it really doesn’t. The movie doesn’t become just one terrible metatextual joke and it’s still able to function as what it’s supposed to be... which is a really fun movie with adult themes. Parents should probably not be trying to sneak their kids into this one, though, I think.
The editing and structural fragmentation keeps everything moving forward in a really breezy and exciting, fast paced way and, once again, Ryan Reynolds proves that he can hold this kind of movie together pretty well when required. Of course, he has absolutely great support from the likes of the aforementioned X-Men, T. J Miller as his buddy, a treacherous Ed Skrein as the main villain (who did so well trying to fill Jason Statham’s shoes in the fourth of The Transporter movies... reviewed here) and the absolutely extraordinary Morena Baccarin as Deadpool’s sexy girlfriend Vanessa. Yeah, that’s right, Inara from Firefly/Serenity is in this and the chemistry between her and Reynolds is just electric.
And that’s about all I’ve got to say on Deadpool, I think. Absolutely brilliant movie which I, surprisingly, enjoyed way more than I thought I would, given my response to the trailers for this one. Definite recommendation from me for anyone who likes seeing characters from the Marvel universe done in a truly entertaining fashion and I’m really looking forward to seeing what they do for a sequel to this one, which has already been green lit in Hollywood, it would seem. Looking forward to the ‘harder’ cut on Blu Ray, which is apparently in the works, even more, I would say. Oh, word to the wise, there are a couple of extra scenes right at the end of the credits... well, more like an extra scene and then an extension of that scene hot on the heels of it. So you Marvel fans might want to stick around for that one. Anyway, what the heck? Go see this movie. I had a real blast with it and I hope you do too.
Labels:
Deadpool,
Ed Skrein,
Marvel,
Morena Baccarin,
Ryan Reynolds,
Stefan Kapicic,
T. J Miller,
Tim Miller,
X-Men
Subscribe to:
Posts (Atom)

