The Martian Chronicles

Tyrr For Fear

The Martian Chronicles
Airdate: 27 January – 29 January 1980
Final Cut Entertainment Region B Blu Ray 
Three Episodes

Warning: Spoilers wistfully lapping at the edges of your consciousness

There was a bit of a delay before the TV mini series based on the great Ray Bradbury ‘novel’ of the same name aired (although there was a bizarre, truncated cinema release of it released in French cinemas the year before). It was held back for around about a year because, at a press conference for the show, which was adapted by the great Richard Matheson in terms of the writing, in close collaboration with Bradbury himself, Mr. Bradbury saw fit to tell the people of the press how ‘boring’ this production was.

It’s funny though... I remembered viewing the series in a far better light when I was a kid on that first airing and without it I probably wouldn’t have rushed out and purchased the novel that same week it hit our screens. I remember when I read it thinking how right the show had got the atmosphere of the book... not much action, wistful, philosophical, poetic, slowly paced... everything I associated with Bradbury so, as far as I was concerned, it was a great adaptation and I revisited it back near the start of the DVD era and, I still liked it. Well, now it’s on a UK Blu Ray release and, what can I say? I still love it and, when I rewatched it with the family, the four and a half hours of it went down very well. 

To be fair, I do remember it not being popular with too many of the other kids in the school playground back in the 80s but, well, if you were into sci fi even a little bit in those days, you were always going to be an outcast at school. 

I say it’s based on a novel by Bradbury but, well, if the mini series, which was broadcast in three episodes titled The Expeditions, The Settlers and The Martians, seems like a patchwork quilt of episodic short stories with a bit of an overall arc, that’s because the source was. The ‘novel’ The Martian Chronicles was published in 1950 but most of the stories comprising the narrative had been published in magazines before. At the request of his publisher, Bradbury reworked the stories, such as ‘The Silver Locusts’ and added lots of ‘story glue’ to make it work as a single tome. And it’s fine like it is (I should read it again) and, as far as I’m concerned, so is the mini series. 

It was star studded too... just some of the names who appeared in it were the male lead (part of the glue in the overall arc) played by Rock Hudson, joined by the likes of Gayle Hunnicutt, Bernie Casey, Darren (Kolchack) McGavin, Barry Morse, Nicholas (Spider-Man) Hammond, Roddy McDowall, Fritz Weaver, Maria Schell, Bernadette Peters and even a cameo by Jon Finch (playing a manifestation of Jesus Christ... who has the same initials as his great role of Jerry Cornelius, of course). 

The show is basically an exploration of ideas of the way humanity (as seen as Americans) manage to accidentally wipe out the ancient race of martians by accidentally bringing chicken pox, before colonising the planet. However, most of them leave Mars (or Tyrr, as it is in the Martian tongue) again because there is a war on Earth... the few who stay witness the Earth’s destruction by nuclear war and, though they survived by staying on Mars, it would be true that the few who stayed don’t necessarily think of themselves as the lucky ones. 

And everyone is fabulous in it. And, yes, it is slow and perhaps the times in a post-Star Wars movie era were such that people weren’t expecting what was delivered but, I think it’s stood the test of time. It’s essentially like watching episodes of The Twilight Zone, with stories such as the wonderful encounter by the man and woman who think they’re the last two people left on Mars, the man who builds androids of his late wife and daughter to stop the loneliness, the man who accidentally kills a martian because he thinks he is intending him harm rather than the act of kindness his fellow martians are doing for him... and the priest who meets balls of light but then accidentally manifests a martian as a crucified Christ. 

And it’s a great show, I throroughly enjoyed it. I stood by it back when it first aired and I stand by it now. If you’re expecting sci-fi action and spectacle then maybe you won’t find what you want here but, if you want a show to haunt you with thoughts about the way mankind chooses to live its life, then maybe you should give this one a go. Oh, and the music by Stanley Myers is really great... the CD usually gets a spin or two every year. 

So, if you want a slice of thoughtful and poetic science fiction to balance out all the other stuff, then this recent(ish) Blu Ray edition of The Martian Chronicles is a good way to get acquainted with it, for sure. 

Kolchak - The Night Stalker

Stalk On
The Wild Side

Kolchak -
The Night Stalker
USA 1974/75
Universal/Kino Lorber
Blu Ray Zone A

Okay, so after revisiting the two TV movies The Night Stalker (reviewed here), based on Jeff Rice’s The Kolchak Papers and The Night Strangler (reviewed here), it was time to take another look at the next chapter of the Kolchak legacy, the show which spun off from those two movies, Kolchak The Night Stalker. Despite the ratings smash of those first two TV movie sucker punches, the regular show only lasted 20 episodes (of around 50 minutes each) before being cancelled, for reasons I’ll get into later.

It was, however, a great show and it certainly had a much longer lasting legacy in TV history than you would expect for a show cancelled before it had even finished its first season. A number of horror themed TV shows of modern times may not have been around without this one and, as I may have mentioned before, The X Files started off with Chris Carter trying to make a new Kolchak series and then going down the Mulder and Scully route when the rights negotiations came to nothing (from what I remember). Similarly, once The X Files had gotten bigger, McGavin refused to reprise the role of Kolchak for the show but did agree to play a different character for a couple of episodes, not to mention turning up as Frank Black’s father in an episode of sister show Millennium for Carter.

Like they did The X Files, decades later, many people refer to Kolchak The Night Stalker as being a ‘monster of the week’ show in an almost derogatory manner and, yeah, okay it’s guilty as charged and is, in some ways, quite formulaic, with Kolchak stumbling onto some supernatural entity and pursuing it to get another unsaleable and unprintable story for his editor... but that doesn’t mean to say the show wasn’t any good. Quite the opposite in fact... which is why it was so influential decades later, with directors and creators who remembered watching it in their youth. Heck, future blockbuster writer and director Rob Zemeckis even sold his first script to the show... although I don’t think the episode in question, Chopper, about a vengeful, headless Hells Angel biker cutting people down with a sword, is one of the better entries in the series, to be honest.

The show kept the two main actors from the show, of course... so we have Darren McGavin as the incomparable Carl Kolchak, in his trademark seersucker jacket and straw hat, along with the wonderful Simon Oakland as his shouty, cynical and much put upon boss, Tony Vincenzo. McGavin was also unofficially co-producing the show on set, which led to friction with the two main producers on the series, one after the other. We also have, after a little while, a couple of other regulars on the show. These are Jack Grinnage as the effeminate, uptight Ron Updyke and Ruth McDevitt as Emily Cowes, or Miss Emily as she was known on the show.

Miss Emily and her character is something of an interesting wrinkle in the show in that she is a sign of the ever evolving nature of the scripts and she has an interesting development. Miss Emily is the elderly lady on the team at the INS (Independent News Service) where Kolchak now works and is the newspaper’s agony aunt, as well as crossword puzzle maker. Now, she is absent and on vacation for the early episodes but talked about as Miss Emily. And in the first episode, Ruth McDevitt plays one of the readers who sends in for advice to that character (leading to Carl going to interview her as she seems to have a clue to something he’s working on). Later, in episode five, the actress would be back as Miss Emily but, her character name is Edith Cowles. In the sixth episode she’s finally called Miss Emily properly, although for that episode she’s still called Edith Cowles on the end credits, for some reason.

Another, similar sign that the show may have had a rushed development was the fact that the title changed a little into the series. For the first four episodes, it’s only called The Night Stalker (like the original movie) before switching to Kolchak The Night Stalker in episode five. So, yeah, big changes were obviously being made while the show was shooting and in post... it certainly shows.

The episodes are all quite fun though and, for a ‘monster of the week’ show, there were actually quite a lot of different kinds of threats and mysteries for Kolchak to dig into without getting boring... although, I can see that future seasons of the show, if they’d gone ahead, may have gotten very similar, to be sure. So we have a werewolf episode, a zombie episode, a Jack The Ripper episode, a Rakshasa episode, an Alien episode and various other quirky things such as Aztec mummies, witches, sentient suits of armour, a Frankensteinien robot and even a youth killer. There’s also a vampire in a sideways sequel, in episode four, to the original The Night Stalker movie... with one of the vampire’s victims from that occasion returning to bring a new toothy threat near the vicinity of Las Vegas.

Likewise, there are a number of guest stars and a fair few ‘before they got famous’ parts scattered liberally throughout the series... such as Richard Kiel, Victor Jory, Phil Silvers (in an episode written by Hammer’s Jimmy Sangster), Julie Adams, Erik Estrada and one time Wonder Woman Cathy Lee Crosby. Not too mention a fair few shout outs to various horror institutions such as, in an episode where one of the characters is watching The Mummy’s Ghost (reviewed here), there’s also a character called William Pratt (which was the real name of Boris Karloff, of course). Actually, that specific episode has the greatest scene of any Kolchak story in it, where Ron Updyke tells Kolchak and Vincenzo about an accident with a truck carrying some animals to a zoo. “It seems some dangerous animals did escape, including two large apes, a pair of adult African gibbons, as well as a Malayan tiger, a civet cat, and a pie-cost.”, he says. “What's a pie-cost?” asks Vincenzo, concerned. “89 cents.” says Ron. I’m not quite sure why certain people of my acquaintance can’t see that it’s one of the greatest jokes ever put on screen but, well... it just is totes hilar, as far as I’m concerned.

I loved the show and I even loved the somewhat pathetic man-crocodile creature in the last episode, The Sentry, which completely nicked its whole plot idea (and a very similar setting) to one of my all time favourite Star Trek episodes The Devil In The Dark... how the company never got sued for this one when it’s so patently obvious it’s ripped off from that one is anybody’s guess.

Something I didn’t know, which explains a lot, is that Darren McGavin didn’t really want to turn Kolchak into a weekly series, although you wouldn’t know it from the quality of his and Simon Oakland’s performances in the show, which is reason enough to watch in itself. He was happy doing just a third movie but the show went ahead in the end and he and Oakland came with it... talked into it by the producing role which he was then never credited for. This meant a lot of friction with the other producers and, this eventually is what brought about the demise of the show, it turns out. Not bad ratings but, McGavin finally telling Universal that he’d had enough and wanted out. And so it came to pass and, it’s a shame but, maybe not so much of a shame in that the plots might have gotten a bit over familiar if it had gone on for too long.

Kolchak The Night Stalker is still a great show though and it’s honestly never looked better than the relatively new Blu Ray set put out by Kino Lorber. Like the two TV movies they also put out, it looks so clear and sharp it could have been shot yesterday. And I think it’s a testament to the high respect in which the show is held that, amongst the few extras on the four discs of five episodes apiece, each and every episode has some ‘guest star’ providing a commentary track for that installment... which is nice. So, yeah, again this is a highly recommended show with some nice scoring, mostly by Gil Mellé and Jerry Fielding which, alas, has not seen the light of day as yet as a commercially available recording. But, although McGavin was done with the series, this wasn’t quite the end of Kolchak. I’m not going to watch the painfully received, short lived, ‘missed the point’ modern remake of the show from 2005 (which lasted only half as long as this one did before cancellation) but the character did live on in other media... which I’ll get too in my next two reviews.

The Night Strangler

Bloodless In Seattle

The Night Strangler
USA 1973
Directed by Dan Curtis
ABC Circle Films/Kino Lorber
USA Blu Ray

Warning: Yeah, some spoilerage occurs here.

So, after the smash hit ratings of the original TV movie The Night Stalker (reviewed by me here), Dan Curtis, who had produced the original movie, jumped into the directing chair to give us his sequel, The Night Strangler. This one again has a screenplay by Richard Matheson but it’s not based on another unpublished Jeff Rice novel as before. In fact, the publication of that first novel was held up while Rice was commissioned to write a follow up novel based on Matheson’s script for this one, so both novels could be released simultaneously and take the number one best sellers spot in 1974.

This movie once again has Darren McGavin playing Carl Kolchak, the role he was born to play, this time relocated to Seattle and still trying to peddle the true story of the vampire killings as depicted in The Night Stalker. And once again, the story is told via his narrative voice overs on the soundtrack. In a truly wonderful scene, after we see the first murder of the film, Kolchak is reunited with his former editor, the long suffering Tony Vincenzo (once again played by Simon Oakland), who is now working for the Daily Chronicle in Seattle under a chief of staff played by veteran actor John Carradine. Against his better judgement, Vincenzo gets Kolchak a job on the paper and assigns him to investigate the murders. In this case, a quantity of blood is removed from each dead girl (as the bodies mount up) and it’s not long before, with the help of the newspaper’s archive librarian and research guru, played by Wally Cox (who died suddenly one month after this was first shown on television), Kolchak finds himself attempting to track down a killer of the supernatural bent.

This time around, the ghoulish looking killer has been around for over a hundred years, a doctor in the union army who stumbled upon an elixir which grants him reprieve from ageing but, every twenty one years, when he starts to look more like a walking corpse (with superhuman powers, naturally), he needs to kill six girls in a period of 18 days and extract blood from them within seconds of their death, as the final ingredient of his elixir. Once he takes the potion those six times, he doesn’t have to worry about losing the effects for another twenty one years.

And it’s all great stuff. As usual, the main source of pleasure from the tale is the absolutely brilliant chemistry between McGavin and Oakland, as they shout at each other across the editor's desk while Kolchak tries to get Vincenzo to publish the facts about the case while under direct threat from the police force. Once again, a more than one hundred years old killer at loose in Seattle is not good for tourist season. Joining Carradine and Cox are a load of fine character actors... these things are really well cast. Among others are Jo Ann Pflug (Lt Dish from M*A*S*H) playing Kolchak’s love interest (of sorts), Margaret Hamilton (the Wicked Witch of the West herself), Al Lewis (that’s Grandpa Munster to you) and, as the aged killer, Michael Anderson (who, of course went on to regularly play Oscar Goldman in the original series of The Six Million Dollar Man, after McGavin had played a similar role in the TV movie/pilot episode of that show).

This is one of only two productions I know of (although I’m sure there must have been more) which showcases the secret underground city beneath Seattle, which was built over and which is now used for tour guides. The other film I know which featured this was the recent, quite wonderful horror movie Malignant (which I reviewed here). Ironically, in the case of The Night Strangler, reproduction studio sets plus the Bradbury Building of Los Angeles were used rather than shoot on location in the real underground city. But still it’s a nice location to include in a story and I’d love to go there one day (although I probably will never get there, it would also be true to say).

The Night Strangler is, it has to be said, not quite as sinister as The Night Stalker but it’s still an absolutely brilliant sequel to the original and it’s hard for me to decide which one I like best. The two films work very well together as a double bill, it has to be said and I’ll continue to revisit them often. And once again, we have the brilliant Bob Cobert providing that jazzy, sometimes chaotic but always toe tapping score which follows Kolchak around, whenever he’s on the prowl for his newspaper story. Unfortunately, Cobert didn’t follow in the next set of Kolchak adventures, instead he was replaced with Gil Mellé.

As I think I mentioned in my review of the first movie, there was a third movie originally planned, The Night Killers but, instead, a TV show was commissioned and plot elements of that third one were recycled into at least one episode of that show. If The Night Strangler has one thing it can be criticised for, it’s the fact that it’s more or less a rerun of the first Kolchak movie (something that could be levelled at a lot of modern day movie sequels too, to be fair). It’s a criticism which stuck with Kolchak when the TV show was aired, with people referring to it as a ‘monster of the week’ show and, perhaps, this element is what led to the show's cancellation, 20 episodes in. More on the TV show tomorrow but, yeah, The Night Strangler is a sheer delight and another great movie where you can watch Darren McGavin and Simon Oakland get in each other’s faces and yell the hell out of each other. Another fun watch.