Wild Cards - House Rules

Loveday To Be Here

Wild Cards - House Rules 
Edited by George R. R. Martin
Assisted by Melinda M. Snodgrass
Harper Voyager
ISBN 9780008283612

House Rules is, by my count, the 33rd novel in the Wild Cards series of books I’ve been reading since the 1980s. This one was published and purchased by me last year and so, apologies for not getting to this review sooner but my book pile was a little more unmanageable than usual this year. 

This one opens, as did at least one of the other recent ones (if memory serves) with a three page summation of the main points of the Wild Cards world and, if you’re not familiar with the story of the Wild Cards virus from the planet Takis, then a very bare bones summation may be... a horrible alien virus swept the Earth in the 1940s and you and your future generations either die when the Wild Card gene pops up in your natural life cycle, or you are a nat (normal person, unaffected), a mutated Joker, a super-powered being (an Ace) or something in between those last two (a Deuce). But you wouldn’t want to start on the books this late in the series anyway so, go back because, the Earth has its own alternate evolution from the 1940s onward as a result and the various writers who create these ‘mosaic novels’ have created an entire history of this world leading to the present day.

And this one takes place on an island off the coast of Cornwall called Keun, protected by a disappearing causeway when the tide is high. Here a very rich and mysterious ace called Jago Branok has rebuilt a famous manor called Loveday House. And every month or so he invites different guests he’s researched for a weekend party in the house. But you don’t want to go out on the grounds at night and you certainly don’t want ot be wandering the corridors of this vast house alone without one of the servants to guide you... you may find yourself a little lost.

It was only a matter of time, I suppose, that the Wild Cards books found themselves digging into the concept of a multiverse and the unique thing about Loveday House, which is a really dangerous place to the curious and unescorted, is that it is a hub for different worlds which share the same point in time and multidimensional space as this version of Loveday. And, of course, because this is a Wild Cards book, it doesn’t once revert to having multiple heroes and villains from multiple dimensions meet each other in battle (other than one special ‘spectre’, I’ll leave it at that)... instead, the idea is explored by a group of different stories, each taking place at a different party at Loveday... all woven together by the bookends and linking narratives told from the viewpoint of Mr. Gary Bushorn, in story excerpts by Stephen Leigh. Leigh also writes the story of the first party which Gary attends, called Promises Redux. Gary then, after some shenanigans, stays on at the house to be the dance master for Jago and is, of course, the constant story arc observer that weaves through the rest of the stories.

In this story we also meet the butler, who looks like, sounds like and is called Hitchcock... rescued from a parallel world where, presumably, Hitchcock was not a director. To quote Caroline Spector’s later story, “‘Good evening,’ he said, drawing out evening...”, which is exactly how I do my Alfred Hitchcock impression in real life. 

Now there aren’t that many appearances by known aces but there are a few which will delight readers of the previous novels... so Dr. Bradley Finn, the centaur joker, is one of the guests in the first story. Topper and Ink also appear in one of the stories here too and... oh, wait, I’ll get to Herne The Hunter in a minute.

The second story, Lady Sri Extricates Herself, Emerging Not Entirely Unscathed by Mary Anne Mohanra, features an ace I’m pretty sure we’ve met before and is another wonderful story set in the house, where things get kind of out of hand (and things getting out of hand usually means at least one person meets their death at the house, in this particular tome). This one’s a really delightful story about embracing love in unexpected places, too.

Next up is Caroline Spector’s Bah, Humbug, Murder... a Christmas tale which is also a sort of drawing room murder mystery, which is always a favourite around that season. This one also includes Constance, the Ace powered dress designer who we first met in a story where she killed one of the Kray twins in the Wild Cards version of the UK in the 1960s. So, she’s quite old now at the time of this story but she’s certainly no less fun and, of course, solves the murder like an Ace version of Miss Marple. 

After this we have Two Lovedays by Peter Newman, where the owner and builder of the original house, at least one of her multiversal versions, sets ace against ace (including a few you may also remember from the British set cycle of Wild Cards novels) and nearly succeeds in her power play. 

The fifth tale is called The Nautilus Pattern by Kevin Andrew Murphy which tells its story from the viewpoint of the owner of the local antique shop and his wife, an ex-porn star especially remembered for appearing with Jokers in Joker-porn movies in her youth. This one does indeed include Herne The Hunter and said wife who was his ex, has believed him dead all these years since the battle of The Rox, which involved Bloat, who readers of the earlier books will certainly remember.* 

The sixth and final tale before the concluding bookends is Raw Deal by Peader Ó Guilín. This is probably the nastiest of the stories but it’s no less entertaining and, well, the cost of this one certainly threatens to rock the status quo of Loveday House and Lord Jago Branok’s parties. This one also mentions an alternate reality Hitchcock film called The Fish (as opposed to The Birds) and, I for one, would like to know what establishment Jetman is referring to when he says that some unnamed place is “the best comic shop in London” because, frankly, very few comic shops in my country’s capital manage to stock a decent supply of back issues these days. 

And what can I say, really, other than that which I say whenever I read a new Wild Cards novel... it’s an absolute joy to read. There are actually no dud stories here again and, yeah, no matter if the writer is new to me or a seasoned favourite, it always captures my imagination and leads me back into the world of the Wild Card characters in the most addictive way possible. I had an absolutely wonderful time with this one again but, asides from my usual warning about House Rules not being a jump on point (you should always read these novels from the very start, I would say), then fans of the Wild Cards novels as a whole should really give this one a go. It’s brilliant and I, once again, never wanted it to end.

*Although this is one of those Wild Card books which doesn’t have a Croyd Crenson sighting, this time around... as far as I could tell, anyway.

Wild Cards - Sleeper Straddle

Croyd And Seek

Wild Cards
Sleeper Straddle
Edited by George R. R. Martin
Bantam Books
ISBN 9780593357835

This one’s all about Croyd.

Wild Cards - Sleeper Straddle is the 32nd of the Wild Card mosaic novels that began releasing onto an unsuspecting public in 1987. That’s when I started reading them and I’ve managed to keep up to date over the years. After a few long slumps in publication, not to mention a few different publishing houses, the series seems to be going stronger than it ever has, with a new novel published almost every year for the last decade or more.

The basic set up from the first volume is about the Wild Cards virus from the planet Takis, which fell into the wrong hands and was detonated over New York in the 1940s... when local hero Jet Boy failed to stop an evil villain’s plot involving the stolen, alien virus. What happened next is that the world was instantly affected. Many turned ‘the Black Queen’ and died, many became Jokers (hideous and varied mutations) and a few became Aces, receiving various superhero powers. And there were also Deuces... a kind of cross between and Joker and an Ace... although even Jokers have some kind of minor power, usually related to the nature of their mutation (like waking up from a coma in the body of a centaur).

And the human gene pool was forever tainted by the virus, so when you grow up and reach puberty (or sometimes later) your ‘card will turn’ and you’ll either stay a Nat (a natural, unaffected person) or you’ll as likely become a Joker or possibly an Ace or, if you’re unlucky (or lucky, depending on your point of view) you’ll just die.

And the series goes from the 1940s and brings us right up to the modern day, telling tales of a large range of characters throughout the history of the Wild Cards universe... mostly these days contemporary to the year the novel is released but sometimes they’ll still look back (as this latest tome does). And so we get generations of different characters represented with, since it’s an 80 year old history by now, various deaths and new characters cropping up all the time. As you might imagine, the world building in these novels is fantastic.

Also special about these is that they’re rarely a single novel written by one writer (although that has happened at least once). They are collections of stories focusing on different characters by different writers, which almost always link together to give an overreaching story arc to a particular book and also, mini-series of events in a chain of books. So there are trilogies and more of specific themes involving different ‘threats’ to the world, for example. Of course, the writers also die after a while too.

Now this latest volume, Sleeper Straddle, follows the exploits of one of the original, old school characters introduced in the very first book in 1987... Croyd Crenson, aka The Sleeper. And Croyd is well over 80 but doesn’t really age at all... the way the virus affected him back in the 1940s, when he was in school as the virus was released, is quite unique. Basically, whenever Croyd goes to sleep, he goes into a period of hibernation for a number of weeks and wakes up as something totally different... sometimes an Ace, sometimes a Joker, sometimes something in between and with the shadow hanging over him that, one day, he’ll probably draw the Black Queen and die. So Croyd is a... freelancer... a career criminal but on the side of good. When he reaches the end of his cycle of being awake he gets really frantic, keeping himself awake with pills for as long as he can and getting way too paranoid for anyone to cope with. He’s also one of the greatest loved heroes in the Wild Cards universe, from the point of view of the readership and he usually gets at least a mention in any of the novels... mostly just a passing reference or a guest cameo for a part of the story... often called ‘Croyd sightings’ by the readers.

But like I said, this one’s all about Croyd and he was originally created and written about for the series by the late, great, old school science fiction writer Roger Zelazny (who died back in 1995). This volume starts off with a dedication to him and it’s kinda nice the way various writers have kept his Croyd Crenson character alive over the years.

This one comprises seven stand alone stories about various incarnations of Croyd over various years, linked by a binding story which bookends it and also provides long story links from each chapter. That story, Swimmer, Flier, Felon, Spy is by Christopher Rowe and presents a unique challenge for Croyd Crenson. Crenson hires a powerful, fastidious and very secretive, ex-CIA trained Deuce called Tesla (who also has two horns on his head from which he can emit arcs of electricity) to help find himself. In that, when Croyd awoke from his latest sleep, he had split into six different Aces, most of whom think the others are imposters (and want to kill them) and all who are slightly diminished without the other five. So it’s Tesla’s task to locate the various new Croyd’s in the city and try to get them all to meet one night before they start going to sleep again, in an effort to get them all to recombine somehow then they lose consciousness.

Hence, as Tesla plays detective and starts interviewing various people, we get the stories of various incarnations of Croyd and the people he’s encountered, via the person who Tesla is interviewing (or variations of, at any rate). The stories are Days Go By by Carrie Vaughn (set in 1961 in Greenwich Village), The Hit Parade by Cherie Priest (set in 1983), Yin-Yang Split by William F. Wu (set in 1990), Semiotics of the Strong Man by Walter Jon Williams (set in 1999), Party Like It’s 1999 by Stephen Leigh (also set in 1999), The Bloody Eagle by Mary Anne Mohanraj (set in 2003) and The Boy Who Would Be Croyd by Max Gladstone (set in 2019).

And once again it’s a fantastic set of stories and, like the majority of these mosaic novels, there’s not a bad one in the bunch. My personal favourites in this volume were Days Go By, which tells the story of a young joker photographer as she gets out from her abusive relationship (helped by Croyd, who spends a good month or two asleep on her couch after a party) and gets recognition for her own art... and the brilliant Semiotics of the Strong Man. This latter features another old school Ace who never ages from the original first novel, Jack Braun aka Golden Boy. He was an actor in the 50s and from then on but also sold out all his friends in the McCarthy communist witch hunt in the 50s so... yeah, not everybody likes him. It’s a great tale in this one where he meets Croyd in the audience of a film festival in Rome where he is a guest and more shenanigans follow, revolving around an exhibit in a suite of rooms in the same hotel from which the head of an old robot superhero from the early books, Modular Man, is stolen.

But readers will encounter a few old characters. Such as a younger version of Jokertown Police Detective Leo Storgman from the relatively recent Fort Freak trilogy of Wild Cards novels and another story featuring The Oddity... who was originally a woman and two men engaged in a threesome in bed one morning when their cards turned and they became a painful, ever shifting, combined mutation of all three in one body. There are even quick references to people like Thomas Tudbury, aka The Great And Powerful Turtle and, cameos from much loved characters who have also since died in the series, such as Father Squid.

Perhaps my favourite moment was early on in the novel and, like all the Wild Cards stories which... like all good science fiction... comment on, satirise and hold a mirror up to our society, reflects the times we live in. In this case, a biting criticism on ‘wokeness’, it seemed to me, when Croyd refers to Tesla as a Joker and then corrects himself, commenting that these days he’s probably supposed to call Jokers ‘Jacks’.

And, honestly, there’s not much else to say. Like all the Wild Cards mosaic novels, this one is insanely good and presents a plethora of ideas and observations in the most entertaining way possible. Long term readers of the series will almost certainly love Sleeper Straddle but, even people who just want to sample one of the books for the first time might find this one more of a stand alone experience, as most of the characters who are not making their debut here are fairly well explained to new readers. A wonderful book and, as usual, I can’t wait for the next one (which will be out this year apparently... wow, two Wild Card novels in the same year, I don’t think that’s happened since the 1980s).