Showing posts with label The Awakening. Show all posts
Showing posts with label The Awakening. Show all posts

Tuesday, 27 July 2021

My 2000th Blog Post




Missed Opportunities

My 2000th Blog Post

 

So here I am on my 2000th Blog Post already. I wanted to do something different for this but, I didn’t have anything I could pull out of my hat that I hadn’t already done before so I had nothing really prepared for this moment. I even did an online search to see what other people do for ‘special occasion’ blogs and what the ‘on blog celebration’ ideas might be but, some of them I’ve already done, some of them were just ridiculous and the one which I’d already wanted to do... which is to give away a big prize or something... well, I’m sorry but I don’t have a budget for that kind of stuff right now.

So, I’m sticking to my usual ‘post numbers blog’ format and doing something which isn’t a review and this time it’s... okay, well I have a love/hate (mostly hate) relationship with list articles but, yeah, this is kind of a list... I’d love it if some movie producer just stumbled on this one and got some ideas from it (like that would ever happen). What it is, is a list of ten cool characters who have appeared in movies either only once or, in the case of one of them here, a number of times in one-off attempts to get the character restarted... who really should have become running characters in a series of movies. I think the movie industry should maybe take a look at some of the characters on this list, many of whom could easily be played by the same acting talent in a number of sequels, because I really think these are missed opportunities in terms of creations who have a lot of legs and fictional people who I would love to see more movies made about.

There’s no ranking involved here... there’s no one character from this list of movie juggernauts (in my eyes) who need consideration over the others... I think all of these people deserve another shot at being turned into a franchise. So the order here is just alphabetical, as dictated by the first name of each character (in the case of all but one... you’ll know it when you see it). So, yeah, Happy 2000th to me, NUTS4R2 and, I hope you have an interesting time reading this. In the case of most of those listed here, if you’ve not seen the films in which they appear in some cases, maybe you should take a look at them because these characters are really cool. Most of these are reviewed here so, in most cases, if you click on the title of the movie in the subheading, it should take you into my review of the original film.

Clark Savage Jr
Doc Savage, 1975

Okay, so if you’re a longtime reader of this blog you’ll know of my love of the Doc Savage novels, kick started by seeing this movie in the cinema in 1975. This is a character who starred in over 180 original novels, published initially in the pulp magazines between 1933 and 1949, under the magazine pseudonym Kenneth Robeson (although almost all of these were written by Lester Dent) and then augmented over the years with new stories by the likes of Philip Jose Farmer and Will Murray. It’s a crime that only one movie has ever been made about him, starring Ron Ely and based on the first novel The Man Of Bronze. There should have at least been a 1930s serial based on this character and it’s terrible that I live in a universe where this didn’t happen. There was an attempt to get a movie made starring Chuck Connor’s as the character in the 1960s and you can read about what happened to that production here in my review of the Gold Key comic based on the unfilmed script. Doc has been picked up a few times over the last decade or so but still no movement on getting another film series of Clark’s 1930s adventures in sight. This needs to change.

Eden Sinclair
Doomsday,  2008

Rhona Mitra played special trooper Eden Sinclair in this post-apocaylyptic blend of Mad Max 2 and Escape From New York, where a wall has been put up outside Scotland to keep a lethal virus out of the UK. Many years later, Sinclair leads a team into what’s left of Scotland, to try and bring out a cure which might possibly be there. She’s a great character who has a bionic eye which she can take out and roll around so she can see around corners etc. I’d love to see another movie using this character and Mitra shows just how good she is at playing these kinds of roles.

Florence Cathcart
The Awakening, 2011

Florence Cathcart is a professional sceptic and debunker of the supernatural, until she runs head on into it, of course, in the supernatural thriller The Awakening. When we meet her, she’s played by the great Rebecca Hall and she’s both a tough as nails but also a fairly vulnerable character to throw into the deep end of the spiritual realm. As the film continues, a certain gift for channeling the spirits is exhibited in the character... even though she doesn’t realise it for a long time (although I’m pretty sure most of the audience will figure out just what that special talent is from very early on in the movie). I’d love to see more films where the previously sceptical Cathcart is involved in adventures in the realm of the supernatural, while trying to find a more explicable cause for them. And I’d love to see Rebecca Hall back in the part now (wow, is it ten years ago already since this one came out?).

Gary Seven
Star Trek - Season Two: Assignment Earth, 1968

Gary Seven was a human(ish) secret agent from Earth’s far future who was sent back in time to 1968 to find out why two other ‘time agents’ have failed to report in to his superiors... which is where he encounters Captain Kirk and the crew of the Enterprise, also somewhat misplaced in time. Robert Lansing played Gary Seven and this episode was originally intended as a pilot for a proper full on Gary Seven TV show but, presumably, wasn’t taken up by the studio. He had a sonic screwdriver-like device and a highly intelligent, shape changing cat of dubious origin. The episode also featured actress Terri Garr as someone who was obviously going to carry on as Seven’s new human assistant... you might remember her from such films as Close Encounters Of The Third Kind and Young Frankenstein. Although Lansing is long dead, I’d love to see the full TV series in development sometime with a bright, young star in the role.

It
It Follows, 2014

Well, I didn’t know what to call this demonic, sexual curse creature but, in some ways, I guess you can imply it’s an ‘It’ from the title, right? This was a big hit horror film when it came out seven years ago and I have no idea why we don’t have at least one sequel to it already... not to mention a franchise. It doesn’t even have to be populated by the same characters as in the first film, obviously, since the sexual chain that 'It' has to kill in descending order can be carried on for anyone, assuming the creature didn’t die at the end of the film... it’s kind of implied that there’s a possibility it’s still out there, still following the chain of sexual encounters back to their centre of origin.

Jerry Cornelius
The Final Programme, 1973

Michael Moorcock’s notorious and changeable Jerry Cornelius character has really only been in one film proper, Robert Feust’s poorly received (at the time) but absolutely incredible The Final Programme. There are a number of stories which could be easily adapted for cinema and, also, some which would not be that easy to adapt (although I believe a couple of them could be cross pollinated as a double adaptation if you wanted to go down that route). Moorcock himself hates this movie but I think it captures the character quite well in the snapshot of the first novel it’s trying to achieve (albeit with a whole load of stuff missed out but... that’s the nature of the medium). Jon Finch did a fine job of bringing Mr. C to life and I think the character, who is supposed to look somewhat like Mick Jagger, could easily be re-tapped for some more ‘truer-to-Moorcock’ on-screen adventures with someone like David Tennant in the role.

John Carter
Princess Of Mars, 2009
John Carter, 2012

I’ve still not seen the decidedly dodgy (by all reports), budget inadequate, 2009 straight to video, very loose adaptation of A Princess Of Mars (aka Under The Moons Of Mars) by Edgar Rice Burroughs but... I’ll get around to it (however much I’m dreading it). I love Burroughs’ series of Martian novels, many of which are headed up by either John Carter, former cavalry man and future Warlord Of Mars or his son Carthoris. The 2012 movie John Carter, starring Taylor Kitsch as the character, was not without two glaring problems... the fact that they wrote in a more scientific way of travelling between worlds rather than the accidental ‘astral projection’ of the novel and, also, the fact that the Martians in the movie wear clothes... but overall it was a pretty great movie and it was just badly marketed. This film deserved at least a couple of sequels and the character is in desperate need of a reboot... which probably won’t happen now due to the poor box office of the 2012 version.

Lilith Silver
Razor Blade Smile, 1998

Jake West’s truly brilliant movie Razor Blade Smile highlights main character Lilith Silver, as played by Eileen Daly. She’s a vampire living in modern times who has been around since she was ‘turned’ sometime in the 19th Century and who is in the thick of it against an evil cult who intend her harm. The film has a marvellous twist to it and it makes it very easy to do any number of sequels. Lilith has a lot of personality (almost like a female version of Jerry Cornelius, see above) and it shines amidst a wonderful atmosphere of blood, nudity and gore. I’d love to see more movies made about this character but, for right now, I’d settle for a decent Blu Ray transfer of this thing by some smart UK label... more people should know about this movie and character. I’m surprised there have been no comic books.

Modesty Blaise
Modesty Blaise, 1966
Modesty Blaise, 1982
My Name Is Modesty, 2004

Peter O’ Donnel’s absolutely brilliant newspaper strip character ran for a long time and, more importantly, was in a string of novels written by him which are absolutely first class ‘ex-head of crime network turns espionage queen’ novels. There have been three attempts to capture the character on screen so far and, each one has had some real problems. The first of these was the Jospeph Losey movie Modesty Blaise, which starred Monica Vitti in the title role. It’s a fantastic film if you can divorce it from the source material but, although it’s based on the first novel, it completely fails to capture the tone of the stories and instead turns it into a comedy. Monica Vitti looks perfect as Modesty... in one scene where she has her trademark black, skin tight jump suit and her dark hair... but looks completely unlike the character for the majority of the film. I can see why O’Donnell hated this one and all subsequent attempts to put her on the screen. The second attempt, Modesty Blaise in 1982, was a failed TV pilot movie and, although I haven’t seen it, the clips I have seen tell you all you need to know as to why it failed. The producers have tried to turn her into something which completely fails, again, to capture the character of the stories. I have recently come into a ‘print’ of this to watch at some stage for the blog but... I’ve not been brave enough yet to unleash that disappointment on myself. In 2004, Quentin Tarantino (who had featured a later edition of the first novel in Pulp Fiction), produced another low budget venture with My Name Is Modesty but, once again, failed to deliver the goods. Although, he and the director really made a rod for their own backs on this by making it an origin story, of sorts, so the only character from the actual stories in this one was a very young version of Modesty herself. O’ Donnel is dead now so I presume the rights to the character may well be on the market again and, seriously, we need someone to do a proper Modesty Blaise franchise of movies... especially since the actress Gal Gadot is an absolutely perfect fit for the character. This needs to happen and someone should tell her she’s perfect for this.

Scarlett Marlowe
As Above, So Below, 2014
Scarlett Marlowe is the young, rogue archaeologist who is the central protagonist in the ‘gates of hell found under the catacombs of Paris’ movie As Above So Below, as played by Perdita Weeks. She’s gutsy, persistent and unflappable... even in the face of being pursued by supernatural demons. It’s an under seen belter of the ‘found footage’ horror cycle and the ending of the film leaves it wide open for us to join the character in another adventure... presumably along the lines of a ‘horror movie meets Lara Croft’ style series of films. I would love to see her further adventures but, like the Florence Cathcart character from The Awakening (as mentioned above) the movie was presumably planned as a one off adventure and, I wish the producers would see the potential of expanding the character out into other adventures.

And that’s me done on the under appreciated, under used characters of film and television over the years... at least as I see them. I think all of the above could be mined for box office gold if done right and the fact that they haven’t been is a real head scratcher to me. Anyway, that’s 2000 posts published and... more reviews to follow. Thanks for reading.

Monday, 14 November 2011

The Awakening




Waking Dreams

The Awakening 2011 UK
Directed by Nick Murphy
Screening at UK cinemas.

Warning: Silently stalking spoilers will rise up from
this article to haunt the doll’s house of your mind.

Okay, there are good and bad things sharing the load in equal number in The Awakening... not to be confused with the second of the three adaptations of Bram Stoker’s Jewel of the Seven Stars, which shares the same title as this movie.

The real problems this film has, if you agree it has any problems at all, lie within the script but only, it seems to me, in terms of the story and not the dialogue. I got a real split reaction to this movie but, overall, I think the positives on this one far outweigh the, frankly inevitable, negative points about this piece.

So let me share with you first, by way of showing you why this movie is worth seeing, the main positive on offer here. The main, central character... and she really is the main character as she’s pretty much in almost every shot apart from a few establishing shots and a couple of minor sequences where the camera has to follow another character... is something of a great, literary pulp creation and it’ll be a shame if this movie is the only thing this character ever turns up in. The character’s name is Florence Cathcart and I don’t care if she turns up again in a film, a TV series, a series of novels or what... this character is great and I want more of her.

Florence Cathcart, who I might normally call the main protagonist but in this case I’ll make and exception and call her... our heroine, is a professional sceptic. Set in 1921, a few years after she loses her lover to World War I, Miss. Cathcart makes her living by publishing her books about her exploits as... well... as a professional sceptic I guess would be an apt term. That is to say, she goes around with various parapsychology detecting equipment and disproves the existence of the ghostly and, often, exposing fraudulent practitioners of spiritualist endeavours who are out to make a quick buck off of the less fortunate.

And this is, in fact, how our story starts... by setting up the character and showing her breaking up a spiritualist seance. In this opening sequence, we see we have a director who knows how to be efficient with his cinematic shorthand. We see the seance as it takes place, see Florence expose them and call in the police, see the culprits taken away and then, in a brilliant little moment, we see her slapped in the face in a really great little cinematic “jump” shot and this shows the way in which, even the people whom she has saved from throwing away good money after bad, resent her from taking away their illusions of an afterlife... and then this basic set up is used to depict the distressed/depressed darker part of Cathcart’s character... it’s all filmed in the most economical manner. Florence is played quite brilliantly by actress Rebecca Hall who delivers some quite intelligent and witty dialogue against some other quite splendid actors and actresses which, at the same time, also manages to add real depth to the character... a character who, we will later find out, we know nothing about really after all.

However, if the script is brilliant in terms of dialogue and the way it informs the characters, it lacks in other areas because, frankly, it’s very unlikely that anything much in this movie is going to take you by surprise and, although I am blaming the writing for this (obviously) I do feel, since I did have a good time with this movie, that it’s not entirely the fault of the people writing this film.

You see, the plot of this one involves our newly established and cynical heroine called in to help the teachers and boys in a boarding school rid themselves of the ghost who has been appearing in their school photos for years on end and who seems to have killed someone recently... and herein lies the problem with what ails the script. The trouble with these kinds of ghostly, haunted house horror films is that the audience, whether they are aware there’s going to be some kind of twist or not, are always on the lookout for any such twist to occur, often without even knowing about it... and more often than not (and such is the case on this one I’m afraid) the audience are going to guess the nature of the twist as soon as they see the first sign of a clue and these kinds of movies don’t really have a lot of options anyway when it comes to tricks up their sleeve. In this one, for example, I was already on my guard before Florence had even arrived at the school, taking part in that old horror film favourite of “trying to spot the character who isn’t actually alive”... and I have to say, it didn’t take me very long, on that characters first shot, in fact, before I’d spotted our undead friend and started trying to unravel the second big twist I knew would be coming after that.

I don’t want to spoil it too much for anyone who’s not seen it yet but I will say that the solution to the mystery at the heart of the movie is pretty obvious... but I also have to say that, even when you’ve put all the pieces together in your head, the sleight of hand in this one is such that you will probably forget about them or dismiss them as too obvious before they’re actually revealed... and that’s what horror films of this nature are all about really isn’t it? Sleight of hand?

Now there are some wonderful sequences in this film... including an absolutely brilliant set of rooms within a doll's house which mirror the haunting sequences which have just taken place... and it is such a brilliant and simple idea (however obvious). The heroine sees the scenes including the little recent episodes of “encounters” (even those from just 30 seconds before she starts looking in the doll's house)... only to eventually come to a room which has her looking in the doll's house... with a ghostly figure standing just behind her. Real nape of the neck stuff people. Very much from the Shirley Jackson/Steven Moffett school of... “never mind worrying about if it’s going to happen, it’s already happening, you just haven’t realised it yet” school of “fright delivering”. It has to be said though, The Awakening does tend to overplay its hand just a little too much as it gets closer to the actual reveal.

But the great thing about this movie is... it doesn’t matter! This film has great acting, great dialogue, sure and steady (nothing too flashy) but nicely composed camerawork and even a nice, haunting score going for it. And even though you know it’s going to be a bit obvious... the eerie atmosphere and occasional jump scares are so well done that you shouldn’t go away feeling too disappointed by the film. And did I mention it has a great character who, although she will go on a journey of self discovery as the film progresses (it’s in the title people!)... really should come back in something else please. Preferably as played by the delightful Rebecca Hall who really elevates this movie from being a competent time at the movies to a fun time at the cinema. Definitely one to watch out for if you are into your chilly, gothic hauntings. Give it a go.