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Godzilla X Kong -
The New Empire
Directed by Adam Wingard
USA 2024
Warner Brothers
UK Theatrical Cut
Warning: Mild spoilers.
Last week I went to the cinema to see Ghostbusters - Frozen Empire (reviewed here) in which a centuries long imprisoned creature is released and aims to turn the Earth into a new ice age. This week I saw Godzilla X Kong - The New Empire which, apart from having a superfluous X that makes it the most ridiculous and childish title for a Godzilla movie ever, deals with a centuries long imprisoned creature who is released back into the mix with his followers and big ice creature, with the intent of conquering the Earth by turning it into a new ice age. I bet the makers of this one were pretty miffed that the new Ghostbusters had a better title that they could have used themselves.
This one is, by my counts, the fifth in the sequence of the US Monsterverse franchise, comprising Godzilla (reviewed here), Kong - Skull Island (reviewed here), Godzilla King Of The Monsters (reviewed here), Godzilla VS Kong (reviewed here) and now this one. Not to mention the relatively recent Monarch TV series, which I haven’t got around to watching as yet. It carries over three characters from the previous movie, as played by the great Rebecca Hall reprising the role of the main scientist, the extremely cool Kaylee Hottle as her deaf/mute adopted Skull Island daughter and Brian Tyree Henry, providing comic relief as the vlogger who was helping out Millie Bobby Brown in the last movie.
And, not only is this installment in the franchise way better in most respects than Godzilla VS Kong, it’s also a very fun watch and I really rather enjoyed it. Now, given the critical and commercial success of the Academy Award winning Japanese movie Godzilla Minus One (reviewed here ) a few months ago, I was fully expecting to be able to say that the aforementioned movie was way better than this one. And... yeah okay, I am saying that... no comparison. I’d take a film like that one over this any day of the week. However, you have to remember that you really can’t cant compare the two. Godzilla Minus One is very much a serious film similar in tone to the original 1954 Gojira movie (reviewed here) and uses Godzilla as a surrogate for the post survivor trauma of the ‘failed’ kamikaze pilot who is the film’s main protagonist. It’s carrying a lot of weight and it does it beautifully.
In contrast to that, Godzilla X Kong - The New Empire is very much in the style of the fun, mid 1960s to mid 1970s Toho Godzilla ‘monster romp’ movies... and as a lover of both kinds, I am quite happy with what the US filmmakers are able to achieve here, to be honest. It’s a different flavour of Godzilla but they are doing a much better job of that kind of brief here.
Now, the movie almost totally takes place in the Hollow Earth world discovered in the last film, asides from a few sequences where Godzilla and Kong manage to wreck part of Egypt and Brazil between them. And also one memorable moment where the movie’s other main protagonist, a monster veterinarian played by Dan Stevens, extracts Kong’s infected tooth with his helicopter and gives him a new, super duper tooth. Also, after a sequence where Kong suffers from frostbite in his right arm, due to reasons I won’t disclose, he cures it and gives him a new armoured glove so he can punch things better. So yay!
Also, Kaylee Hottle’s character ends up fulfilling the same role as The Peanuts did in the original Mothra films from the 1960s. She is the new human envoy to Mothra and she wakes her up to help out when Kong is trying to lure Godzilla into lending a hand in tackling their bigger problem. It’s nice stuff but, alas, she doesn’t sing the famous Mothra song... which would have been a nice touch.
And was that a shop sign depicting Gamera I saw for a second before Godzilla smashed through it? I’m pretty sure that’s what I saw... can anyone else confirm in the comments?
And it’s a film filled with good action, much better acting than you would expect and a fun storyline. My only real criticism is that the score by Antonio Di Lorio and Tom Holkenborg is bereft of any of the iconic Godzilla themes from the Toho series and, just fails miserably on that level. Every time you are expecting there to be a big Ifukube moment, the score does something which seems, I dunno, like a melody falling just short of the original to evade copyright payments. Which is a shame because, even the great Godzilla Minus One, which had a far superior score to this one, recognised the value in popping in Ifukube’s melodies into certain scenes. And to add insult to injury, the score to this one seems to be unavailable on a proper CD (which is a first for the films, it would be the only live action Godzilla theatrical release without CD representation to date). Shame on Watertower Records for not releasing it in the only physical format that real music lovers want. I hate this backwards decade, ignoring the essential physical media releases which should accompany these films.
Apart from the ‘knock off’ sounding scoring though, Godzilla X Kong - The New Empire was way more entertaining than I was expecting it to be and, if you liked Kong VS Godzilla (I kinda didn’t think it was all that), then you should definitely love this one. Don’t expect to be seeing the same kind of story substance present in Godzilla Minus One though... two very different kinds of films.
Saturday, 30 March 2024
Godzilla X Kong - The New Empire
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