Showing posts with label Andy Ryan. Show all posts
Showing posts with label Andy Ryan. Show all posts

Wednesday, 18 January 2017

The Bone Collection



Only The Boney

The Bone Collection
by Kathy Reichs  Penguin 2016
ISBN: 978-1-78-515095-1


Most of my regular readers will know that reading the latest Kathy Reichs novel involving the exploits of her literary alter ego (as opposed to her TV alter ego of the same name), Temperance Brennan, is always my second Christmas ritual of the year. This year, however, the format is a little different and, I would guess, many of her most die hard fans may have already read three quarters of this book already... because it’s actually a collection of four short stories of similar length, only one of which has not been printed before in one publication or another. Luckily for me, I was unaware that Reichs had written any short stories about her literary counterpart/heroine at all so, yeah, these were all new to me.

The Bone Collection consists of three previously published tales - Bones In Her Pocket, Swamp Bones, Bones on Ice - and her new ‘origin’ tale as the last story of the book, First Bones.

Now anybody more interested in the soap opera style character development of the longer novels may find themselves a bit out on a limb here. For instance, Andy Ryan, Brennan’s longstanding on and off partner, had come to a very important ‘arrangement’ with her at the end of the last book. Anybody hoping to see the natural progression of that relationship will have to wait for another of the regular novels, although Ryan does make a brief and unexpected appearance in one of the stories... just not neccessarily in the way you’d expect.

As usual, the stories in this are excellent and well written. The first three, although mini adventures of everyone’s favourite forensic anthropologist, all follow Reichs' tried and tested formula... which is maybe not the best thing in terms of predictability but which certainly makes for entertaining reading. For example, the shorts are all split up into mini chapters and, yes, there’s still that little tease of an upcoming revelation at the end of each chapter, just like you’d get in the old pulp magazines which were ancestors of today's modern, popular crime writers. Kathy Reichs has always, I feel, been very ‘Doc Savage’ in her approach to the writing, building in mini cliffhangers at the end of each chapter and these work as effective ‘can’t put down’ page turners here... just like they always do. Foreshadowing the next big clue is something at which she is an absolute master (or should that be mistress?).

Like a lot of Reichs novels, the books are actually hinged around something she has a strong feeling about and the first two stories in this book are based around cruelty to some form of animal or other (trying not to give spoilers here) as the motive behind the various people murdered. And, as always, in her afterword to each story, she gives you details of how you can get involved and help the various causes trying to end this kind of thing by giving you links to the various web sites created by people who want, like any rational being would, an end to the kinds of practices detailed here.

The third story is set in Brennan’s home town but, strangely enough, it deals with a death on Mount Everest. You have to read the story to find out what Temperance is doing trying to piece together a body which has been frozen for a few years and then transported back to the US but it was inspired by a story which I found very interesting. The details are described in the tale themselves and Reichs confirms it all in the afterword. For instance, did you know that there are absolutely loads of dead bodies on Mount Everest which are out in plain sight but unrecoverable by sherpas because it’s just too dangerous to attempt. And furthermore, the ones wearing the most distinctive clothing kind of act as marker points for people undergoing climbs. It’s a morbid detail but one which Reichs uses to good effect in this tale which is set after a real 2015 earthquake which dislodged a lot of the unrecovered bodies and suddenly made them accessible to ‘rescue’.  I have to say, the truth behind the body that Temperance is working on didn’t fool me for a minute but... it’s an entertaining ride, as usual, getting to the end.

All through the first three stories we get the odd comment from Brennan about Andy Ryan and, if you have a good memory, the comments she makes reveal the age of the stories themselves and you can kind of work out where they slot in to the timeline of the full novels. Which is why I was wondering why the brand new story, First Bones, which was being touted as the ‘first’ Temperance Brennan story, is the last tale in the book.

Well, as it happens, it’s a flashback tale which is bookended from the 'bang up-to-date' version of the regular characters and tells of her first ‘case’, when she was still a student, retrospectively from the character’s life where she is now. And this is actually important in some ways because... something happens in this last story, in the contemporary sections, which is definitely going to change a certain constant element of the novels and which I seem to remember has been around since the first ones I read all those years ago. I’m trying hard not to give away any spoilers here but, if you're a regular reader of the good doctor’s adventures then you really need to read the last story in this collection... although I expect she’ll have to mention it in the next stand alone novel anyway. I completely didn’t see this one coming... which maybe goes someway to explain why I’m still addicted to the literary world of Kathy Reichs.

And that’s about it. If you’re a regular fan of the books then The Bone Collection is pretty much a necessary read as far as I’m concerned. Also, it’s nice to read short form stories from a favourite author sometimes. I’m not so sure it’s the best jumping on point for new readers, to be honest, because of the reveal in First Bones but there’s a whole back catalogue of books by this writer to explore if you are new to the world of Temperance Brennan. Either way, though, it’s an entertaining read and not to be missed.

Thursday, 23 January 2014

Bones Of The Lost



Keeping Up With The Bones

Bones Of The Lost
by Kathy Reichs
William Heinemann (publisher) 
ISBN: 978-0434021154

And so, as I do every year, I come to my second big Christmas ritual. The day after I finish my annual read of the new Patricia Cornwell novel, I start the latest of Kathy Reichs’ Temperance Brennan novels. It’s funny, but both these two writers have gone through bad patches, at least in my appreciation of some of their books, but both are back on form... so it kinda feels like old times.

I started reading Kathy Reichs several years after I was already reading Cornwell’s Scarpetta novels and both writers seem to have changed somewhat over the years. That is to say, their writing style and plotting has mellowed and matured. Cornwell has gone for much more intense (well she was always kinda intense), smaller chamber concertos of plots with the action taking place in a relatively small area and lasting just a day or two in fictional time... even a few hours or so in one book, if memory serves me correctly. Reichs is still plotting long and intricate things which takes her character from location to location like a female James Bond.

Either way is valid and the way that Reichs has matured, and which is in evidence once again here, is that her comedy writing and dialogue, and especially her character’s inner dialogue (the books are written in first person), is getting more and more entertaining and gives the novels a big shot of humour in contrast to the grim crimes her character becomes involved in. This is an unlikely combination sometimes, especially when she’s exploring the more sensitive heart of her character, but it seems to work really well and is one of her greatest strengths.

While I found this one extremely entertaining and relatively unputdownable (there’s a reason why her latest book is always on my Christmas list), I did find the plotting, like some of her other recent ones, to be fairly obvious and free of surprises at a lot of key points. One of the reasons I think this is the case is because every little element of the plot down to the characters is important to the main thrust of things. For example, when Brennan’s character is talking about her daughter Kate having enlisted in the army, you know some incredible coincidence will have her flying out to join her and, unsurprisingly, it all just happens to connect to the case she is working back home.

I think one of the reasons these particular novels may be playing out like this at the moment is because she is maybe used to reading the teleplays or watching the TV show which includes a variant of her Temperance Brennan character. The show is called Bones and I tried to watch a couple of episodes once but the Tempe of the TV show seems to be a very pale, cheerless and emotionally immature version of the one in her original novels. However, things have to connect more directly for an audience to be able to understand things in a movie or a TV show... or at least that’s the way the Hollywood community seems to practice their craft. So maybe the all too easy “join the dots” connections in this story are a hangover from the “cause and effect” tactic used in modern screenwriting at the moment. Who knows?

What I do know is, predictable or not, this had a lot of the ingredients I need for a really good read. Fast pacing, great character interaction and relationships, generous amounts of humour, some beautiful observations about the harsh realities of some corners of life I’ll never get to see (hopefully) and, above all, a living beating sense of heart which allows you to connect to the writer through the way she weaves her words and the attitudes towards life she displays in her work, consciously or unconsciously.

I don’t have much more to say about this one other than the fact that one of my favourite characters is absent from most of the book and when he does turn up, haunted by a large dose of bad news, it’s not the same incarnation of the character as we knew him. Something has changed for that character and, indeed, the knock on effect is that things may be changing for the novels' central heroine at some point soon. Maybe too early to tell as yet but I’ll certainly be looking forward to next Christmas when I get to read the next one. Fans of this writer shouldn’t be too disappointed with this one, I think.