Paranormal Activity - The Ghost Dimension 3D

Wheatley Hell’s 
Going On Here?

Paranormal Activity - The Ghost Dimension 3D
2015 USA
Directed by Gregory Plotkin
UK cinema release print.

Regular readers will know that I have a soft spot for the Paranormal Activity films. The first of these (reviewed here) was not really all that scary but fits into my realm of 'comfort horror'. Paranormal Activity 2 - 4 (reviewed here, here and here)  were pretty scary and, as each new film was released, they added another compelling puzzle piece to an overall  back story arc that has been used to drive the franchise on, pretty successfully, since the first installment. At this point I should probably point out that I don’t include the original sequel to the first Paranormal Activity film, the Japanese horror movie Paranormal Activity 2 - Tokyo Nights because, amazingly, the producers have done a really good job at suppressing a release of that, now unofficial, sequel over here or in the US and I still haven’t been able to get my hands on a copy with English subtitles. it follows a completely different plot avenue from the US Paranormal Activity 2 and I really want to see what the Japanese did with it. I shall keep looking out for it though.

The US films are not set in a chronological order but, as the story unfolds, you realise that there's a good reason why this is so, especially with the inclusion in the fifth installment, the dreadful Paranormal Activity - The Marked Ones (reviewed here) of the concept that various characters in the Paranormal Activity universe can travel back and forth in time. Now this is interesting because, as far as I can remember, the release of Paranormal Activity - The Ghost Dimension was stalled for a couple of years to make way for the shooting and release of The Marked Ones and it seems to me now that the only reason this could be so, was that test audiences (be they members of the public or part of private studio screenings back in 2013) may have been confused by the time travel element in this movie but, honestly, although I originally assumed that this was why that fifth film was needed, I can honestly say that you’d have to be... well...  really not very smart if you couldn’t work that out for yourself by the things which are happening in this one, since the film straddles mostly just two realities (or three if you count the titular plain of existence) - that of the year when Katie and her sister were taken in by ‘the coven’ in the past and also the current part of the story playing out, the year 2013... which gives me further circumstantial evidence that this was, at least in part but probably in whole, in the can by the original projected 2013 release date.

Now, the thing which was driving me nuts about this one before I went to see it was that it’s being presented in 3D. What the heck? Now you have to think about this. The movies are found footage horror films making use of whatever camera technology they are purportedly being recorded on... mostly VHS in this one because it includes the identity of the finders of the tapes which you saw being discovered in the opening of one of the former episodes... I forget which one. So how do you get away with justifying a 3D release of a Paranormal Activity film when the whole point of these things is they’re supposed to look like they are documentary style found footage recorded on the hoof?

Well, as it happens, I forgave them almost immediately because, like the majority of the series, this film brings in a slightly newer element which elevates proceedings just a little more than the last one and, in this one, it’s the discovery of a souped up camera which has twice as much innards as it’s supposed to have and which seems to have been specifically created to capture things happening in a spirit realm, invisible to the naked eye or a normal camera, superimposed over the real world images as they manifest themselves. So think shots of eerie ectoplasm beings appearing whenever the films ‘star demon’ Toby comes out to play, so to speak. So most of the footage in the movie is still flat but, whenever The Ghost Dimension starts manifesting whenever it’s this particular camera picking up the footage, the ghost parts are actually projected on a 3D layer... accompanied by some appropriate sound design to heighten the audiences awareness that something spooky is about to happen while simultaneously conditioning the audience, Pavlov style, that whenever they hear these sounds or see these ectoplasmic 3D black shapes... something awful could happen, so be afraid! Of course, all this would have gone down a lot better if it had made its original 2013 release date, when 3D hadn’t totally lost the popularity Hollywood wants it to have, in order to justify the ticket price hike but... at least the team behind the film have gone to some lengths to find a decent spin on the gimmick for this movie... which I think lets it off the hook somewhat.

It doesn’t hurt, either, that this is a real return to form for the series after that last, plug in installment. This one has a group of characters consisting of people who you really can sympathise with again and who you can hope make it through the film fairly unscathed... rather than the bunch of foul mouthed  street thugs you just don’t care about in The Marked Ones. Of course, I’m not going to tell you if everyone or, indeed, anyone survives this installment but... it’s a Paranormal Activity film. What do you think? You need to go find out.

The film is somewhat formulaic, it has to be said, following the slow burn format of the previous installments with the scares getting increasingly more alarming and violent as Toby and the gang ramp up to a finale where all hell breaks loose... almost literally in this case. There’s also a nice return, in this one, to the old Dennis Wheatley school of horror... which manifests itself when a local priest gets involved with the family and friends who are trying to protect their Toby-obsessed daughter. So, yeah, you get the old chalk symbol circle sequence where everybody has to stand in said circle and must not... whatever they hear or see... leave the circle which protects them from the demonic forces at work.

Okay... so how do you think that ones going to work out in a Paranormal Activity movie? Someone always leaves the circle of protection in a horror tale, right?

Let’s just say that the final confrontation between the priest and Toby, kickstarts the usual chaotic and scary concluding sequences of the film and, I have to tell you, the writers/producers/director goes way past the level they usually do at this point in these movies. You will, finally, get some good glimpses of Toby and the demonic deaths of any/all/some of the characters in this one (like I’m going to tell you) are all done in a much more over-the-top fashion which, in a lot of cases, makes full use of the 3D format. It possibly gets a little silly in this final pièce de résistance of the movie but it’s swings and roundabouts averaging out between the “blimey, that scared the pants off me, I did not expect that” moments and the “okay, 3D demonic impaling... whatever” moments and I can really forgive the film-makers any indulgences with the last quarter of an hour of this movie because it’s just so much scary fun.

The creator of the franchise, Oren Peli, has gone on record that this will be the last in the series but... hang on, you can’t stop it here! The final message we take away from this one is pretty grim and I really do want to see more of this franchise. I don’t think the story is done here and I would so much like to see a good guy/gal ‘anti-coven’ group of heroes go into a final showdown with Toby, the coven and, presumably, the devil made flesh etc. This is like where they left it at the end of The Last Exorcism Part 2 (reviewed by me here) and I was pumped up to see where the next one would go... which didn’t materialise. I want to see this series’ equivalent of the original Omen trilogy’s The Final Conflict (reviewed by me here) where there’s a huge showdown between the forces of darkness and light, over one or two movies. I don’t even care who wins... I just want to see it. I think this film needs to maybe make a heck of a lot of money and wipe out the bad box office of the unnecessary fifth installment to somehow give the studio a hand in reconsidering their options at this point.

The one thing that I found maybe dissapointing is that this is the first of the movies not to feature an adult version of the Katie character and played by the original actress. We certainly hear about what she’s been up to in 2013 and we certainly see a lot of her as a young ‘un... but no actual appearances in her adult guise in this one, I’m afraid to say. Which would have been a nice touch when all hell starts breaking loose in this one, I feel.

Regardless, my final words on Paranormal Activity - The Ghost Dimension are... this is another great entry into a seriously cool set of movies which actually make full use of the, possibly overused, modern cliché of the ‘found footage horror’ movie. It’s scary, heart racing fun for people who like to go to see these kinds of films and if you’re a fan of the Paranormal Activity series... essential viewing. If you got disheartened after that last movie in the series, you don’t have anything to worry about here... it’s back on track and is especially well worth a watch at the cinema in 3D because it’s used to enhance a plot point. And, like I said, I really hope this one does the numbers because I really want to see another sequel. A truly great movie, too, to spend this Halloween at the cinema with. Go see it soonest.

Paranormal Activity 4

Night Of The Hunter

Paranormal Activity 4
US 2012
Directed by Henry Joost and Ariel Schulman
Playing at cinemas now.

Warning: Very light spoilers, almost non-spoilers, 
lurking in the background details...

Well... another Halloween, another Paranormal Activity movie.

Which is not a bad thing.

I’ve actually got a lot of respect for these “nicely done” little scary movies as you’ll know if you’ve read my reviews of the previous three here, here  and here. Ultimately, I didn’t think the first movie was scary... but the audience obviously did and, scary or not, I thought it was neatly done. The second and third movies I found very scary and also thought they carried on the magic as a franchise pretty well.

This fourth one is not so scary as the last two, but it still quite pant-wetting in places and so I still rate the fourth film a little higher than the first. Ultimately, though, I don’t think it’s quite as well done as the previous installments and I’ll get to why that is a little later. However, it does have a really neat little twist about two thirds of the way through which upends your assumptions (assumptions carefully cultivated by both the trailer and the opening of this film) which scored big points with me because, well, I’d been taken in by my own expectations and for a movie to fool me like that... that’s kinda cool.

I think a few people have mentioned that there’s a twist in it and, without giving away what that twist is, its introduced in quite a low key way (the characters in the film have no idea there is a twist happening because they’ve not seen the previous movies) but which will instantly explain why the events happening in this film are occurring with a family we’ve never even met before. It will also change what you know about one of the characters... but that’s all I’m saying on that part of the story element.

It’s a jumpy film in places but it’s not as 'skillfully scary' as the last two in the franchise, even though it’s trying to be really smart with some of its set ups. For example, in the third movie I pointed out that we all know right from a particular gadget’s first appearance, why a camera has been fitted to a fan. We know the kind of “reveal” games the director wants to play and this is indeed what happens... but I also noted that, even though we could see the mechanism and it clearly foreshadowed the action, the scares were still pretty awesome.

In this one, there’s absolutely no reason for the characters to be walking around with cameras for the first 20 minutes or so... I feel this is a big weakness in the opening of the film. I’m sorry but... teenagers don’t all go around obsessively filming absolutely everything and never taking away their cameras from their faces, right? I understand the skype stuff, so I’m not talking about that, but it just seems a bit weird because the characters have no reason, for a while, to be doing this... as opposed to the characters in the first three movies, in which case it was understandable. However, 20 minutes or so into this movie, that particular weakness in the script is taken care of by having a set of “spy cams” installed at various locations around the house. Which, in turn, leads (eventually) to my point about why the movie isn’t as skillfully done as the original...

 The film-makers have learned from their foreshadowing errors in the third film but the way they’ve responded here is, perhaps, to overthink it a little. What they do is deliberately tip-their-hats again by showing us opportunities for where pop up scares can be... a fridge door when opened obscures the camera vision, for example, and you are just waiting for it to shut and 'reveal'... but mostly this and similar setups are not really picked up on. So in a way it’s still a bit of a win situation, because you are overly anxious and worrying about when certain things are going to happen whenever you see a particular set-up... but ultimately it’s a bit of an anticlimax because the alternate shock moments they use to counter these expectations aren’t, in about half the cases, as scary as the much anticipated scare moment might have been.

Another slightly fumbled moment, and I don’t want to give too much away here, is when a piece of kitchen cutlery goes missing in a pretty overtly supernatural manner, which the audience is in on but the characters aren’t. You are left waiting for the expected consequence of this scene and the writers smartly go away from this element of the plot for a while and try to distract you with other things. The trouble is, you just don’t forget this little 'party trick' so easily, so when the pay off comes... you are expecting it and, frankly, imagining far worse than what you actually get delivered. I think it would have worked better if enough time had gone by within the movie’s running length to let the audience properly forget about this... ahem... missing item. This didn’t work nearly as well as it should here. Like a bad comedian... the timing was just off.

Similarly, the trailer for this film, like the trailer for the third installment, is made from footage which isn’t in the actual movie... although this one could at least have genuinely been slotted into the running time is my feeling (which wouldn’t have worked in the case of the trailer to the third movie). I was annoyed about this because, frankly, the trailer is quite creepy... and it also helps set up your preconceptions so the twist that comes later is able to work. It’s pretty much a variant on the uneasy original teaser trailer to the 2006 remake of The Omen... which also didn’t make it into that movie, as far as I can remember.

Another weak point is the fact that when stuff really starts happening properly, and if you’ve ever seen any of these movies you’ll know exactly what I mean (when weird stuff gets real), neither of the two teenage characters who can access the spy footage they’ve set up for just this purpose actually bothers to check what crazy stuff has been happening in their absence. There’s one scene in particular when one of the characters takes part in 'an episode' through which she sleeps. Honestly, if she’d actually played back the footage, she would have been out of that house for good... but she doesn’t. This seems somewhat strange and contrived, to be honest.

The ending sequence, too, is another sore point for me. Although it contains some nice effects, it just feels too similar to the ending of the third movie... just not quite as scary. I was hoping for something a little more interesting, if truth be told.

So yeah, there were a lot of elements that didn’t work for me here.

However, it’s still a pretty good movie and it’s a genuine sequel to both the ending of the second movie (where Katie zaps her sister and walks off with little Hunter) and the background history of a witches coven who are in cahoots with the demonic ‘Toby’ from all the installments in series so far.

And for all those ingredients which didn’t quite mix as well as I would like, it has to be said that there’s also some really nice things which do work in this movie. It’s still a little scary, for one, and it did elicit the usual “so silent in the cinema you could hear a pin drop” reaction juxtaposed with the “scream out loud and then, possibly, giggle a little to offset that” reaction from the audience I was with... which is to be applauded.

Also, the more blatant of the CGI effects used in this one... that is to say, not the ones that hide all the wirework and stuff... are actually quite special. The demonic faces you will see in this one work really well and are pretty much an extension of what they started doing in the last two... but much, much more menacing. It all works so well and the second reference I spotted in the movie to Kubrik’s version of The Shining (the first being an incident involving a kid riding a mini pedal bike around the house), when a demonised version of one of the characters chases the person who we’ve come to think of as our main protagonist and gets stuck halfway through the splintered door frame like Jack Nicholson peering through... is really a great visual moment of the series. It’s just a shame they didn’t linger on it for a little longer... but by that point in the movie everything is ramped up way past eleven. It’s definitely something I would like to see a ‘still photograph’ of, though.

So yeah, ultimately, I think I’d recommend this film to most people. I wouldnt make it the first one you see in the series, by any means, but if you’re a fan of the first three movies, while you may find it just a ‘touch’ disappointing in direct comparison, you should still have a good time with it and it certainly doesn’t tarnish the good work done in the first three. And, yes, I am looking forward to their being a fifth one for release for next year’s Halloween run up. I want to see what Katie did next!

Paranormal Activity 3

Fuzziness and Ghosting

Hi there. Welcome to the first entry in my week long lead in to Halloween. Seven days and seven horror movies reviewed. Hopefully the majority of these won’t be obvious choices you’ll see reviewed elsewhere for Halloween... although I’m sure this first entry is pretty much on everyone’s radar at the moment. I hope you enjoy what you read. Please leave a comment if you feel so inclined and thanks for taking time out to read my posts...

Paranormal Activity 3 2011 USA

Directed by Henry Joost & Ariel Schulman

Screening at UK cinemas.

Warning: Sizeable Spooky Spoilers

contained in this review that may haunt you.

Wow. What can I say about a franchise of extremely low budget horror movies that truly are horror movies (big on scare and no blood or gore involved) which are truly successful with audiences and which really deliver the goods while leaving an audience wanting more every time. Well probably a lot, knowing me, but I’ll try to keep it fairly brief.

I quite liked the first in the series of Paranormal Activity movies but really didn’t find it very scary... although the audience certainly did. I admired it for the way it took all the obvious and old horror tricks and handled them so competently (if not that freshly) that it really managed to create an atmosphere of dread. And, as usual with these “found-footage-home-movie-truth-at-24-frames-per-second” style movies... the acting has to be really top notch to make them believable because the lack of, too much, visual flourish means that you need the audience to be hooked into the characters as quickly and tightly as possible... hermetically sealed into the world “documented” by the camera.

Paranormal Activity 2 was, for me, a much better movie and it had a lovely twist up its sleeve which meant that this movie was not only a prequel to the first one (which everyone knew anyway) but also a sequel to the first one, the entire first movie having taken place chronologically at some point between two shots near the end of Paranormal Activity 2. This was a bit of a winner as it allowed characters from the first movie to be in the second one (essentially as guest stars) but at the same time give a little postscript to the events of the first movie... one which begs a sequel... a sequel we have yet to see. It’s a film that really, in respect to the timelines, tries to have its cake and eat it... and it does succeed brilliantly in this. What’s more, the second one is actually a "scary" movie and succeeded in making me jump a few times.

Paranormal Activity 3 is a prequel proper because, aside from a little prologue sequence slotted into the previous two movies timelines and featuring characters from those two, the rest of the movie goes back to the early life of the two sisters from the previous films, Katie and Kristi, and concentrates on what happened to them in their childhood, specifically in the year 1988 (something which neither of them can remember too well as adults, if you remember the first two movies).

There’s a few little negatives about the movie, the main one being that the clichés are truly revved up to the max. You pretty much know exactly why certain things are done and at one point I was feeling quite insulted by the film-makers because it’s obvious why things are set up as they are. For instance, when a character makes a camera that scans across a room in an arc from one side to the other, by fixing it to the mechanism of a common or garden household fan, you know precisely why the creators of this one have introduced this element. Specifically, so they can pan across from one side of the room, pan back and have a shock reveal, or even a series of shock reveals... and sure enough, this is exactly why they’ve done this.

One thing you learn about these particular movies, though, is that it really doesn’t matter if you know what’s coming or how cliché ridden the whole thing is... if it’s done effectively, and with its tongue wedged firmly in its cheek, as these movies are... then it really works well. And I have to say, it didn’t stop the movie from scaring the pants off me... or of the audience who were loud and screamy throughout the entire screening, pretty much (which is slightly different behaviour to the first two, where you mostly could hear a pin drop).

Another slight negative would be that because we are going back to 1988, all the found footage is supposed to have been shot on home video tape, so the image quality is fairly blurry and downgraded... which isn’t great for cinema viewing but it doesn’t take long for the eyes to get used to it so I guess I’m probably just fussy.

There are so many positives to this one though and the set pieces are even more outrageous than the last one. There’s more blatant CGI in this one, to change the facial features of characters as they become “demonised” and all the usual stuff to presumably mask out cables and such like for practical, in-camera style effects... and it all works great. The two very memorable reveal scenes using the fan-mounted camera are great moments... one involving “something” under a sheet where the camera is used to incrementally build up tension through location before a “happening” and the other which involves a brilliantly disappearing kitchen... didn’t see that one coming, actually.

The other nice thing this movie does is flesh out the history of the phenomenon much more. Giving it strong hints of a back story which is very Dennis Wheatley in tone. Specifically, a coven of witches which have presumably made a pact with a demon and who are part of Katie and Kristi’s family. Their grandmother is sinister as hell... and with good reason, as the husband in this movie discovers to his, very graphically portrayed, cost. It seems to be a running gag with the movies that the camera obsessed husbands in these pieces come to a bitter end... and this is demonstrated here to chilling effect.

The trailer for the movie shows footage not actually present in the film and which is, in some ways, slightly misleading. It does, however, serve as a great lead in to a terrifying sequence in the movie and so it’s a great idea to watch the trailer before seeing this one. It just gives you another level of scary to focus on.

And we also get a name to the demon doing all the scarinesss in this movie... Toby. That name will soon become synonymous with big scares, I’m sure, as the inevitable sequel comes to town... hopefully next year. I really like these movies and think a fourth one would be a good thing... if it’s handled as well (preferably better) than these three have been.

One things for sure, you’re not going to be seeing too many movies much scarier and jumpier than Paranormal Activity 3 this year... if you like horror movies, then this is definitely one you’ll want to catch, preferably early so you can see it with a big audience. The audience reactions to these movies are huge and as good a reason as any to plonk down your hard earned cash... if you are interested in seeing a group of strangers bound together in a shared experience by fear. Definitely worth seeing at the cinema rather than on DVD. Give it a go.