Duel Of The Fetts
The Book Of Boba Fett
Airdate: 29th Dec 2021 - 9th Feb 2022
Lucasfilm
Warning: Spoilers in this one.
After two seasons of The Mandalorian (reviewed here and here), some of which was enjoyable and some of which dragged considerably, I was pretty sure Disney has managed to dilute the Star Wars brand which they’d bought from George Lucas so much that, they really couldn't even get a halfway decent TV show out of it. I still believe that and I think the franchise stopped being special somewhere around the release of the first season of The Mandalorian and the cinematic release of Star Wars Episode VIII - The Last Jedi (my review of that 'not so special' movie can be found here). However, I have to say that their latest series, The Book Of Boba Fett almost changed my mind on that... almost.
This one opened really strongly for the first four episodes and then... well it felt like it suddenly changed its brief somewhat and only regained some of what made those four episodes so good around about the seventh and final installment. One of the strengths of those first four is that they take place in two separate time zones... the first takes place not long after the sail barge battle in Star Wars Episode VI - Return Of The Jedi (reviewed here) and once again stars Temuera Morrison as Boba Fett. Which is a nice bit of symmetry as, in addition to making the role his own in his guest appearances in series two of The Mandalorian, he also of course, played Boba’s father, Djanga Fett, way back in Star Wars Episode II - Attack Of The Clones (reviewed by me here).
This finally shows us how Boba stopped himself from being digested by the Sarlac in Return Of The Jedi, how he gets taken prisoner by a tribe of Tusken Raiders and then earns their trust, respect and over time, becomes the honourary human member of the tribe, negotiating for their rights on Tatooine before seeing them slaughtered. He then goes searching for his armour (which we don't see him finding as, I think it was already a told part of the tale in The Mandalorian?). The other time sequence, crosscut with these flashbacks via Boba’s dreams as he floats in a Bacta tank in numerous sessions, recovering from his wounds, follows on directly from the post credits sequence from the last series of The Mandalorian, where he kills Bib Fortuna and takes over Jabba The Hutt’s palace. However, with the city of Mos Espa under his protection for their tributes, this inadvertently brings war from those who would use the city for running spice. So it’s down to Boba to try and hire some muscle to get some ‘back up’ for the final showdown.
And it’s all great... except, in episode five, The Return Of The Mandalorian, it all stops dead and we just get a continuation of that show and, yeah, that episode really drags. And it’s pretty much the same for episode six, where The Mandalorian (played again by Pedro Pascale) goes off to visit Grogu and Luke Skywalker before going back to Tatooine to help Fett in his private war. So, yeah, we get to see Grogu again, the far from convincing ‘younged up’ version of Mark Hamil’s Luke Skywalker and also Rosario Dawson returning as ‘that other Jedi’ but, yeah, it’s all a bit saccharine and full of myth building, which really doesn’t seem all that important and, honestly, pretty dull. We all agreed in this household that we could really have done without those two episodes.
When we finally get to the finale, the characters we grew to know, including Ming-Na Wen (from Agents Of S.H.I.E.L.D, reviewed by me here) continuing on from her time in The Mandalorian as Boba’s personal bodyguard, are all back in it again properly and it’s an hour of shoot outs and giant beast punch ups (Boba has trained a new Rancor to replace the one Luke Skywalker killed in Jabba’s palace in Return Of The Jedi... it even gets its own King Kong moment) which are mostly satisfying and gives a nice dramatic ending to the series, although it does get a bit Mandalorian-centric in specific deus ex machina moments you just know are going to happen.
Overall, apart from those two clunkier episodes I talked about, it was pretty great. I especially thought the various Tusken Raider scenes were something special and, frankly, if it had been seven episodes of just Boba among the sand people, I would have been much happier. There are lots of famous guest directors and a fair few guest actors too such as Robert Rodriguez, Danny Trejo and Bryce Dallas Howard but, there are also a few guest spots for legacy characters too, including one from The Clone Wars cartoon show which I haven’t seen (and don’t know if I’ll ever bother to getting around to).
The music is not so great in terms of fitting in with the Star Wars movies... although I did like the primitive opening theme tune. The shout backs to The Force Theme (well, Ben’s Theme in actual fact... let's get it right) and Yoda’s Theme felt a little out of place within the rest of the musical sound scape, to tell the truth... like they were plugged in rather than feeling like themes that could have grown from the whole... which I think says something about the style of the music being used. Star Wars has always been about trying to sound like John Williams and, while I understand the absolute necessity of getting away from that to keep the future of the franchise ticking over, I think abandoning that sound in the way they have here and in The Mandalorian... just further dilutes the brand, as far as I’m concerned anyway.
All in all, though, I quite liked The Book Of Boba Fett, much to my surprise and, yeah, I’d much rather see a second series of this one rather than going on another trip with The Mandalorian but, I don’t know what the plans are at the moment... everything seems to be in a state of flux over at Disney, at least on the public facing side, where the Star Wars franchise is concerned. But count me in for another series of this one, for sure.
Showing posts with label Mark Hamil. Show all posts
Showing posts with label Mark Hamil. Show all posts
Sunday, 26 June 2022
The Book Of Boba Fett
Saturday, 21 December 2019
Star Wars Episode IX - The Rise Of Skywalker
Merry Sith Mass
Star Wars Episode IX -
The Rise Of Skywalker
2019 USA Directed by J. J. Abrams
UK cinema release print.
Warning: I’ve decided to write this with HUGE SPOILERS in it because I’d rather this review had a little more longevity to it, since my Star Wars ones do tend to get revisited by people a little more than some of my others. Please DO NOT READ this if you’ve not seen the movie.
Okay so, Star Wars Episode IX - The Rise Of Skywalker is a mixture of good and bad stuff, although I quite liked this one but, before I get into it, I just want to reiterate my spoiler warning above. There’s stuff revealed here that you won’t want to know (even if you’ve already figured it out anyway) before seeing the movie... so just don’t read this until after you’ve seen the film.
Right... so if you’ve been keeping track of my Star Wars reviews over the years you’ll know that I really didn’t think much of Episode VIII - The Last Jedi. I think it was a huge wrong turn of a movie with some brilliant set pieces but an absolutely terrible story and direction for all of the characters. In terms of Star Wars films I’d stick it down with Attack Of The Clones and Revenge Of The Sith as being one of the absolute worst of the series. And, while nobody from the production of the movies has said it outright... although it has been heavily implied by some of the big names behind and in front of the cameras this last few months... I think the producers probably recognised that The Last Jedi was a huge mis-step for the franchise too. Just speculating here, mind but... that’s how I see it as playing out when people have been interviewed. Abrams himself has said this movie is something of a course correction and, yeah... absolutely... The Rise Of Skywalker does spend a lot of its time, perhaps a hugely disproportionate amount of time, backtracking and erasing elements of The Last Jedi. Sometimes though, it does throw the baby out with the bathwater, it has to be said.
To do this, Abrams has had to set up a story beat which I believe he always planned to be there but, because of the way the last movie went (my understanding is that he had little involvement or knowledge of the story of the last one when it was being made) he actually uses the opening crawl to set up the return of Emperor Palpatine where if he’d have done the whole of this trilogy, I believe he would have heralded Palpatine’s return in a much more subtle and surprising way. I don’t have too much of an issue with this, however, because that’s what the title crawls did in the first two movies when they were released in 1977 and 1980 so, it’s not a new thing to bring in new information in this manner.
The fact that Palpatine returns from the dead here is handled in a way that is credible to an extent, if you don’t mind the movie dipping into 1930s/1950s Universal Horror territory... there really is a kind of alchemical ‘weird science’ vibe that’s not been visited before, to my memory, in the Star Wars films but... I think it finds its place in the series and certainly brings a ‘pulp literature’ element with it. And the lighting on Palapatine’s face in his introduction scene reflects this in a wonderful manner too.
Now we get in to the real spoilery stuff so... to quote Edward Van Sloan in Frankenstein... well, we warned you.
A week or two ago, when I realised that Abrams was going to jettison the idea that Rey’s parentage wasn’t important... which is just as well because it was set up so well in the first one that she knew exactly who her important family tree were in The Force Awakens... I was talking to my friend and said, “You know, she’s probably not a Skywalker like you keep saying but Palpatine’s granddaughter. The ‘Rise’ of Skywalker is probably Kylo Ren redeeming himself in a similar way to Darth Vader in Return Of The Jedi.” And, yeah, I so totally called it... those things come to pass in this movie. And it all makes sense except the last little scene on Tatooine where Rey refers to herself... as you know she’s going to because of the way the stroy beat is presented... as a Skywalker. Well she totally isn’t but I guess, because she holds all of the past Jedi in her now, she can maybe take that name and, lets face it, if she calls herself Rey Palpatine she’s going to have some serious hate mail. It all works... just... but I do think the ‘pendulum swing’, as Abrams puts it, of The Last Jedi really did hurt this new film with its legacy and things could have fit together in a lot more smoother manner without Episode VIII.
How Abrams cushions the blow and gets the franchise back on course is to completely borrow (see how I’m nicely not using the word ‘plagiarise’ here) a load of elements from a fair few previous films in the franchise. People who love the series will literally recognise scenes taken almost wholesale from the original trilogy and sometimes it’s done in a referential, loving homage kind of way such as Luke lifting his X-Wing from the sea while Yoda’s theme from the similar scene in The Empire Strikes Back plays out in exactly the same orchestration that it might even have been needle-dropped in and... sometimes it isn’t. There was one scene, for instance, when I leaned over to my friend (who had already seen it earlier in the day) and whispered... “Why didn’t they just CGI Don Henderson into this scene if they were going to do this?” So, yeah, some of the stuff was not that subtle and felt... not out of place, just very familiar and, well... there are a lot of bits in this movie where fans of the films will find themselves in very familiar territory.
But you know what? That’s what Star Wars has always been about. Swiping stuff in a postmodern manner from other things. George Lucas couldn’t secure the rights to make a Flash Gordon movie (Flash Gordon already borrowing heavily from Edgar Rice Burroughs John Carter of Mars books) so he wrote Star Wars and the films have always been full of iconic and often ‘borrowed’ ideas and images which the films have assimilated into their own cinematic language. So I really don’t have a problem with what Abrams is doing here. There are a few things I did have a problem with, though.
Like the introduction of a new droid. Frankly, it’s fun but has no purpose in the plot and feels like a fifth wheel most of the time. It just seems there to sell toys.. as does the clunky (or should that be McClunkey?) bikes that launch the flying stormtroopers. “They fly now!” say three of the characters... somehow oblivious to the fact that their nearest stormtrooper equivalents did in the prequel trilogy too. Didn’t think this added anything to the action scenes but then again, the action scenes were another problem for me.
They felt, somehow, anti-climactic and flat a lot of the time. Ironically, the action sequences in The Last Jedi were far more interesting and impactful. There’s nothing as cool as the throne room skirmish or the battle of Crait in The Rise Of Skywalker, for example. However, the action sequences in this one, although not as exciting, felt more organic to the story and not just slotted in because they felt like they needed something to happen (for the most part). This movie covers a lot of story at a fairly fast pace and so there’s less action but more integrity to the Star Wars universe I felt.
There was a lovely ‘shock’ character death fairly early on in the film but it turns out it was just a dupe and, frankly, lifted from the baskets scene in Raider Of The Lost Ark. I totally bought it for a while before they revealed a certain character was alive. Oh, and for the record, the force energy coming from people’s hands, especially in the later scenes, looks terrible compared to how it looked in the 1980s. Just rubbish and too wispy. Needed to be much more dense, I think.
There’s also a dubious scene which, funnily enough, I was talking to someone about a couple of times over the course of the last few years but I was pretty sure they wouldn’t be able to do it for this film. I said to my girlfriend that they really needed to somehow get Han Solo back in it for a resolution to his son’s character arc but they wouldn’t be able to do it because they would somehow have to coax Harrison Ford back and, also, there’s no precedent in the series for a ‘non-force’ ghost. But, what the heck.... they did it anyway. They must have paid Ford quite handsomely for his little ‘cameo’ here and his appearance is treated in almost exactly the same way as Kevin Costner’s ‘memory ghost’ appearance in Batman Vs Superman. They did it and... it’s a bit questionable but it’s nice to have it and it worked for me.
There were also a lot of voice cast returns of a load of the other Jedi from previous films. I was ridiculed on Twitter by someone for spotting that Liam Neeson’s voice was in the teaser trailer and was told it was Mark Hamil. Nope, it was Neeson, as I’d said. This film would have been a lot better had it brought back full-on force ghosts of a fair few Jedi from the previous movies too but, alas, I guess voice rates must be cheaper and the producers didn’t want to spend the extra money, is my guess.
My biggest gripe is not knowing how in hell they got Luke’s old light sabre still, after that terrible throw away line in The Force Awakens about it being a good question for another day. This was a question I really needed answering and the film makers have just ignored it... which I think is the only way in which Abram’s two movies disrespect the fans of the original films.
One thing I did love about this movie is... finally C3PO was cool again. He’s the least irritating and most witty he’s ever been in the franchise and his character really worked well here. Alas, R2D2 is hardly in it again and I wish they’d used him more but, I’m guessing it might have damaged the story flow in some way and so they chose to do with him what they did here. It was great how they worked C3PO though... really good stuff here.
And, it goes without saying, that the cast in this were all pretty much outstanding... including the new characters although, I wish Keri Russell had turned in her performance without a mask covering her head... she was a cool character. My only grouch about the casting would be that none of the original trilogy characters had much to do and were hardly in it. Carrie Fisher wasn’t integrated nearly as seamlessly as they said she was and, they totally lied about not CGIing her in one scene where, frankly, you couldn’t have had the training scene with Luke and Leia done any other way than to de-age them (and make them look vaguely unreal and cartoony). Luke and Han (who was admittedly a mostly unexpected bonus) hardly have any screen time, Yoda is practically non-existent other than a voice and a brief glimpse and I just felt Billy Dee Williams was kinda wasted in this. He was cool... just under utilised but, at least he got to say a specific line which is pretty much in almost every Star Wars movie, so there’s that. I could also have done with a lot more of Kelly Marie Tran’s character being in here because, frankly, she was one of the best things about The Last Jedi.
There’s probably going to be a lot of criticism of Abrams on this one about how the power of The Force is used in certain scenes but I was fine with it all... especially the cool way in which Rey passes a light sabre to Ben Solo. There actually is a lot of back up in the history of the saga which means this kind of magical stuff is just a slightly different looking iteration of exactly the same kind of thing so I think Abrams and the writers made a good call here. It’s also a really cool moment too so, yeah, again it works for me.
As far as the music goes... John Williams’ score soars as he builds on the themes he introduced in The Force Awakens in exactly the way he didn’t in The Last Jedi. I can’t wait to give the CD a spin fairly soon. I hope they give him an Oscar for this one. He deserves it.
And that’s me pretty much done. I didn’t absolutely love this on first viewing but, like The Force Awakens, which I gave an absolutely terrible review to and regretted doing that as soon as I saw it a second time, I suspect The Rise Of Skywalker will definitely be something I get more out of on future screenings (probably sometime towards the end of next week... I just wish Kerry had been around to see this one). If you are a fan of the franchise then, I think you’ll really like this one. It’s not top tier Star Wars but it’s not bottom tier either which means it’s pretty great, right? But then again, you already know that because you wouldn’t be reading this spoilerific review if you hadn’t already seen it, I hope.
Star Wars at NUTS4R2
Episode 1: The Phantom Menace
Episode 2: Attack Of The Clones
Episode 3: Revenge Of The Sith
Solo
Rogue One
Episode 4: A New Hope
Episode 5: The Empire Strikes Back
Episode 6: Return Of The Jedi
Episode 7: The Force Awakens
Episode 8: The Last Jedi
Episode 9: The Rise Of Skywalker
Friday, 6 March 2015
Star Wars - Episode VI - Return Of The Jedi
Abaracad-Ackbar
Star Wars - Episode VI - Return Of The Jedi
1983 USA
Directed by Richard Marquand
20th Century Fox UK Blu Ray Zone B
By the time Return Of The Jedi was released into cinemas in 1983, things had gotten really weird. I was 15 and any Star Wars fantasies I was still having mainly centred around Princess Leia being in the same room as Caroline Munro, Sybil Danning and Valerie Perrine. The other kids had all gotten to the age where they had given up collecting their much prized Star Wars action figures (I was soon to follow this trend) and were pursuing rock music and turning their back on film scores (something I never learned to do... film music is just so versatile and rewarding compared to most other stuff).
I was still a die hard Star Wars fan, though, and I remember going into London with my parents, once more, for what was to be (and still in some ways is, depending on a certain point of view), the very last movie in the series... ever. I’d not bothered to read the comic book adaptation this time, I think. I was saving it until after the movie... so I didn’t have much in the way of spoilers (although I’d worked out Leia probably had a family connection with Luke a couple of years before). I was pretty sure nobody would ever get to making the other six films that would allegedly complete the three trilogys. Movies were too expensive and signs weren’t looking good at around this time for there being any continuation in the series.
When I finally saw it I was kinda thrilled all over again... not as thrilled as the three middle aged guys sitting in front of us who were screaming their heads off but, still... pretty good seeing it up there on a huge screen in London’s Leicester Square (I can’t quite remember which cinema it was I saw the third movie in... I think it may have been the Empire). There were some very strange and disappointing things about it though... including, of course, the cutesy Ewoks. Did we really need that in a Star Wars movie? Also, why the heck did Jabba the Hutt, who I knew as a fairly humanoid life form from his portrayal in the Marvel comics adaptation of the original Star Wars movie, suddenly look like a big slug. How was this continuity? I wonder, now, when those issues are reprinted these days, if the panels are re-drawn to accommodate what Jabba eventually became when he was retro-fitted back into Star Wars Episode IV A New Hope, many years later.
Return Of The Jedi was great but I had one really big criticism of the movie when I saw it then and now, as I watch it again in a new version on Blu Ray, I have to say that this is still a very valid criticism... What the heck happened to Han Solo?
In the first two Star Wars films he’d been the cool space pirate who always got the upper hand and, you know, shot first and asked questions later. We already knew that Harrison Ford could actually be a great actor because we’d all seen him the year before in what turned out to be, not just his greatest film, but the greatest film ever projected on a cinema screen of all time... Blade Runner (my review here). His performance as Han Solo should have been a natural for him here but instead, we get a strangely comic and overly theatrical portrayal of the character. Everything Ford does with Solo here seems exaggerated beyond belief, like he was playing Han Solo for a local, dodgy Christmas pantomime... as opposed to one of the highest grossing movies of all time. I’m not blaming Ford necessarily, he might have been directed to behave this way in front of the camera, but it doesn’t change the fact that we have a largely dumbed down version of the character in this episode. This was a real disappointment and left a slightly bitter taste in the mouth. If course, years later, when Lucas released the special editions into cinemas ahead of the release of The Phantom Menace (reviewed here) Solo’s character had been further dumbed down in the original film by having Greedo shoot first. This caused a lot of hostility from the fans towards Lucas, I believe, and is probably still a hot topic for many.
Solo and cutesy suits and puppets aside, however, we have a film with some blisteringly good set pieces to it. Luke is dressed in a black costume which, we were told at the time, was deliberately done to blur the lines of good and evil when he confronts Darth Vader. Either way, his rescue of Leia, Chewbacca, Han, Lando, C3PO and R2D2 is absolutely fantastic and, coupled with Johnny Williams awesome music, which in this sequence is a medley of several melodies used in the original movie, it’s absolutely irresistible film making. Similarly, the speeder bike rides through the forests of Endor are absolutely triumphant in their execution and still cause great excitement.
Finally, the whole last half and hour or so cross cuts from three sets of protagonists having three separate styles of battle scene and it’s absolutely tremendous. The boisterous action of the forest battle is cross cut with Lando Calrissian taking on the new Death Star in the Millennium Falcon (backed up by the whole rebel fleet in some spectacular shots) while Luke is still on board said battle station and engaged in a light sabre dual with Darth Vader... this is all good stuff and makes for a movie which mostly consists of dessert, in that it delivers action treat after action treat.
Most of the performances (asides from Harrison Ford in this one) are fine, the music is suitably iconic and rousing, the special effects were state of the art (for their day) and the story line, wearing a lot of its influences on its sleeve again, is far from dull and will have you riveted to your seat. Unfortunately in terms of both the cinema release special edition and the new blu ray edition, the various Lucas revisions make for a far worse time than you would have had with the original movie. Some of the best score cuts, the song Lapti Neck and the original Ewok Celebration, are excised and replaced with much less hummable pieces of music and the footage replacing some of the key scenes in the movie is absolutely horrible. Worse than that, on the blu ray edition, we have the ridiculous Darth Vader “Nooooo. Noooooo.” shouts as he completes his final act of redemption. Seriously George, it was a lot subtler without that blindingly stupid addition... trust me on this one.
Still, even with all the terrible later editions and replacement effects on the Blu Ray versions, Return Of The Jedi is still a classically good Star Wars movie, although I think it’s the least best of the original trilogy and my fourth favourite Star Wars movie so far (I really liked The Phantom Menace a bit more than this one... sorry about that). Like all the films from the original trilogy, IV - VI, I much prefer the original cinema releases over the overly tampered editions (which I still have as extras on one of the sets of DVD versions from over the years) but even in its new form, Return Of The Jedi is still a solid entry in the series from a franchise that has now awakened once again. The release of the seventh instalment is less than a year away as this review goes up on the site and I liked what I’ve seen on the first teaser trailer just fine, so far. Of course, time will tell on that one but I hope to be reviewing it on here then so, please, check back here when the new one comes out to see what I make of it... I’ve got high hopes and mixed feelings about it, to be honest.
Star Wars at NUTS4R2
Episode 1: The Phantom Menace
Episode 2: Attack Of The Clones
Episode 3: Revenge Of The Sith
Solo
Rogue One
Episode 4: A New Hope
Episode 5: The Empire Strikes Back
Episode 6: Return Of The Jedi
Episode 7: The Force Awakens
Episode 8: The Last Jedi
Episode 9: The Rise Of Skywalker
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